|May 31, 2011|
The library, Queen Mary’s Dolls’ House
From The Paris Review:
When the 104-year-old copper heiress Huguette Clark died earlier this week, obituaries invariably included the word eccentric. This was surely due at least somewhat to her apparent preference for making her home in hospitals. But part of it—the bigger part, I’m guessing—was her passion for dollhouses. In her later years, Clark retreated into an expensive miniature world, surrounding herself with large amounts of the tiny.
Second childhood? God complex? Arrested development? Maybe. But Clark wasn’t alone. Miniatures have exerted a fascination over adults—and often, rich and powerful adults—since Duke Albrecht V forced large portions of a sixteenth-century court into the construction of what’s known as the “Munich Baby House.” Queen Mary’s Windsor Castle fantasia—furnished and outfitted by practically every artisan with a royal appointment—is famous; less well known is the elaborate dollhouse for which Alice Longworth Roosevelt frequently neglected guests, or the modern-art masterpiece created in the 1920s by the bohemian Stettheimer sisters. The Thorne Miniature Rooms, housed in the Art Institute of Chicago, were a labor of love for Narcissa Thorne, bolstered by the Montgomery-Ward fortune. And heiress Frances Glessner Lee used her leisure to construct the Nutshell Studies of Unexplained Deaths, scale dioramas of murders so accurate that they are still used today to teach burgeoning MEs. Clearly, there’s something about the world at 1:12″.
Merleau-Ponty’s Child Psychology
As much as death signals the end of the self, birth is just as mysterious. Both extend out to infinity and signal the brevity and contingency of our lives. As mysterious are those first few years of life that one does not have access to as an adult, I know I existed before my earliest memories. I know I interacted with others, I learned to walk and talk. I was willful from my parent’s tales.
William Pope.L: Reader Friendly
William Pope.L is famous for (among other things) carrying a business card that identifies him as “The Friendliest Black Artist in America.” It’s a clever gag because it makes itself true, in a way, every time it draws people closer. The card must be especially useful when Pope.L does business with people who dread Black men or Black artists.
10 Things the NSA Has Seen Me Do
One winter in my early twenties myself and some good friends — a merging of art, music and literary ladies of New York, full-grown girls aspiring to be women — got together, had a lovely dinner, some wine and delightful chat. Then we decided to spend an hour practicing “Teach Me How To Dougie”. NSA — can you teach me how to Dougie? You know why? “Because all my bitches love me.”
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In an effort to be interdisciplinary, and to keep up with the current trend for all things neuroscience, I recently attended a conference in Berlin on neuroaesthetics. One of only two philosophers in the room, I found myself on the receiving end of an incredibly hostile attack after asking a question of the founding guru of the discipline, the neuroscientist Professor Semir Zeki of University College London.
Instead of traveling solo, the heroines in Thelma & Louise (1991) escape together from social constraints and obligations from work, home and a controlling marriage. Instead of merely reflecting on their lives, throughout the movie Thelma (Geena Davis) and Louise (Susan Sarandon) encounter real threats and real adventure (though far from comical); their short vacation quickly turns into a nightmare. Instead of chasing love, they are chased by the FBI for shooting the man who attempted to rape Thelma.