Thursday, May 17, 2012

Troy Davis and Object-Oriented Ontology

September 30, 2011Print This Post         


Troy Davis

by Timothy Morton

To destroy an object is to reduce that object to mere appearance. Somehow a weapon of some kind is inserted into the rift between essence and appearance and translates the object so radically that the rift collapses.

The reduction of an object to its appearance (“criminal,” “scapegoat,” “cop killer”) is a reduction of an object to consistency. An object is internally riven: it is fundamentally inconsistent. Thus the imposition of consistency is simply violence, at the most profound level on which violence can manifest.

Non-violence, at this level of being, is allowing an object to remain inconsistent. This is why ecological coexistence, the conscious realization of which by humans involves all kinds of awkward hypocrisies and compromises, is so tricky. Ecological coexistence necessitates struggles to allow as wide a variety of inconsistency as possible.

An object is intrinsically nonviolent in this sense, since its very existence is in the mode of coexistence: between it and itself, its form, its notes, its essence—let alone with other objects. It is not that objects are themselves and somehow are constrained to “get along” by relations. An object must get along with itself.

Thus Levinas is wrong, in a subtle sense, to say that my existence as such is a form of violence, quoting Pascal: “My place in the sun is the beginning of all usurpation.” Me and my and I are profoundly ambiguous entities that can only exist as long as there is an uneasy, uncanny face-off between itself, if that is not too strange a way to put it. (One sometimes has to stretch grammar to breaking point to make things clear.)

When the state executes someone, it is committing an act not only of physical but also of ontological violence, reducing an entity to memories, appearances, a news story, a corpse. The reasoning that “this particular execution is justified” only makes things worse, since reason is now co-opted to the side of sheer appearance. If this excuse were the blunt end of a well worked out philosophical view, that view would be total instrumental nihilism.

Philosophy is required in such moments to step up and say things.

Piece originally published at Arcade | Creative Commons License

Editor's Picks
History:Environment:Film:

Beatrice the Renegade

Eric Dursteler

In 1559, a ship sailed from Venice to the Dalmatian coast. On board were a mother and her four children, including her young daughter, Beatrice Michiel. As they crossed the Adriatic, corsairs waylaid the ship and took the family captive. The mother and daughters were ransomed, but the boys were enslaved and soon converted to Islam.

Read More

Sustainability and Silver Bullets

Leslie Paul Thiele

Sustainability is quickly becoming the lingua franca of public discourse. It is endorsed by government agencies around the globe, championed by increasing numbers of international non-governmental organizations, and put into daily practice by residents and consumers.

Read More

Scientific Integrity in Cinematic Science

David A. Kirby

For most people, the start of the summer blockbuster season would not be an ideal time to be examining movies for their scientific verisimilitude. Big, silly popcorn flicks are about explosions, muscled men in tights fighting CGI creatures, and witty one liners from action heroes, not about scientific integrity.

Read More
Copyright ©  Berfrois.com