With Hand
| April 19, 2012 | 
|
An Amorous Couple in a Landscape, Jan Steen, 1626-1679
From The Brooklyn Rail:
What makes sex so interesting to write and read about is not the two or three lines, paragraphs, or pages of coitus, but what comes directly before, after, and in between them.
It is rare, in an anthology this voluminous, for the work to remain so consistently intriguing from beginning to end. What comes to the surface is the breadth of compassion each writer displays for the contradictions and varieties of life, and the characters at play in it. The book is roughly divided into thematic sections; it moves from the human condition, reflected in sex, to the mundanity of the act, to the opposite of erotica, deviant behavior, sexual violence, some verse, and finally essays about sex or sexual behavior (my least favorite section).
“Maupin Row,” by editor Ron Kolm, depicts an educated couple living in a redneck shack that’s too cold for intimacy in winter. Through resourcefulness and sheer desperation, the couple turns to date nights in their pickup. The male narrator writes: “We finally came up with an ingenious solution to solve our sexual woes; we’d hop into our half-ton pickup truck, drive to the East Tennessee State University parking lot, and fuck in the cab while keeping the engine running and the heater on.”
A classic line of sexual ennui comes from a short stanza in Hortensia’s verse, “Another Night In Gotham”:
After i come and
Before he does, i get boredRami Shamir’s dissolute characters barely have a chance to come up for air in their spin cycle full of dashed hopes and dreams, as one character comes face to face with the reality of just having had sex with an HIV-positive partner, and muses: “life sucks out the thunder and the flash really really quick.”
J. Boyett continues to keep things real in “Names Are Removed” by deftly portraying a landscape of sex and love, a place where memories and images are disjointed and brief, overlaid, on top of one another in a kaleidoscope of missed opportunities, aborted launchings, and regret. At the end of a contemplative jag, Boyett’s character muses: “I feel things about J. But the odds are that, by the time you read this, I won’t feel very much about her anymore at all.”
Sex and gender are given a humorous send up in Chavisa Woods’s poem,: “What Are You Some Kind of Angry Dyke or Something?” which includes such pearls as:
When I’m fucking a woman
With my hand
I’m just a lesbianWhen I’m fucking a man
Who used to be a woman
I’m a queerAnd when I’m fucking a woman
Who used to be a man
I’m probably really straight
| History: | Art: | Poetry: |
|---|---|---|
 |  |  |
How Western Europe Developed a Full Scientific Method Christopher Beckwith The lone survivor of traditional Western European ‘scientific’ culture is science. It has survived because it is now the handmaid of technology, without which contemporary civilization would collapse utterly. Anyone who doubts this should try to get a research grant for genuinely “pure” research. Read More | William Kentridge and The Benefits of Doubt Daniel Bosch He had started the series from inside Plato’s cave, so when William Kentridge launched his sixth and final Charles Eliot Norton Lecture with a retelling of the story of Perseus, he gave familiar things back to his audience — the myth itself, and art’s gesture of circling toward origin at closure. Read More | Where Rivers Meet Neil Besner What is a map, and which maps are memory’s or imagination’s to invoke, and then how? What lies in the incantatory power of names, or in the pull North or South, West or East? What is time, what is memory, and what’s imagined about these plain facts here, or about writing as close to them – those descriptions and settings – as possible? Read More |
