The Russian Empire at Work: Photographs by Sergey Mikhailovich Prokudin-Gorsky
November 27, 2012
After forty, all life is a matter of saving face. For those whose successes have run out early, the years are measured less by the decreasing increments of honors achieved, than by the humiliations staved off and the reversals slowed. Among our canonical twentieth-century writers, none suffered this pronouncement—one avoids labeling it a fate—more than F. Scott Fitzgerald.
How Western Europe Developed a Full Scientific Method
The lone survivor of traditional Western European ‘scientific’ culture is science. It has survived because it is now the handmaid of technology, without which contemporary civilization would collapse utterly. Anyone who doubts this should try to get a research grant for genuinely “pure” research.
William Kentridge and The Benefits of Doubt
He had started the series from inside Plato’s cave, so when William Kentridge launched his sixth and final Charles Eliot Norton Lecture with a retelling of the story of Perseus, he gave familiar things back to his audience — the myth itself, and art’s gesture of circling toward origin at closure.
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Nobel laureate Imre Kertész is certainly no stranger to controversy. His radical reconceptualization of the term “Holocaust” — in whose “unscrupulous employment” he locates “a cowardly and unimaginative glibness” — to extend beyond the scope of the concentration camps and those who perished therein, rhetorically privileges the survivors over the dead: “the word actually only relates to those who were incarcerated: the dead, but not the survivors… The survivor is an exception.”
“A writer in the act of writing must fear neither his own words nor anything else in the world,” Heini tells Algin in Irmgard Keun’s After Midnight. Algin is considering writing a historical novel that will satisfy the stiff submission requirements of the Reich Chamber of Literature. The historical novel might be relatively safe because the players have passed.