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	<title>berfrois &#187; Arts &amp; Culture</title>
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	<link>http://www.berfrois.com</link>
	<description>Intellectual Jousting in the Republic of Letters</description>
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		<title>Jesse Miksic in Columbia</title>
		<link>http://www.berfrois.com/2013/05/jesse-miksic-existential-triad-in-bioshock-infinite/</link>
		<comments>http://www.berfrois.com/2013/05/jesse-miksic-existential-triad-in-bioshock-infinite/#comments</comments>
		<pubDate>Fri, 10 May 2013 08:00:53 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Video Games]]></category>
		<category><![CDATA[BioShock Infinite]]></category>
		<category><![CDATA[Jesse Miksic]]></category>
		<category><![CDATA[Jung]]></category>
		<category><![CDATA[Martin Buber]]></category>
		<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Shadow Self]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=34378</guid>
		<description><![CDATA[Columbia, BioShock Infinite, Irrational Games, 2013 by Jesse Miksic That which has separated definitively – for example, the I from the non-I at birth – continues none the less to run along another line. These lines, or these parallel lives, meet only in death. But at certain moments, you can jump from one to the other, cross one of these ]]></description>
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		<item>
		<title>Robyn Ferrell: Open to the Sacred</title>
		<link>http://www.berfrois.com/2013/05/robyn-ferrell-untitled/</link>
		<comments>http://www.berfrois.com/2013/05/robyn-ferrell-untitled/#comments</comments>
		<pubDate>Wed, 08 May 2013 08:00:59 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Aboriginal Art]]></category>
		<category><![CDATA[Feminism]]></category>
		<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[Robyn Ferrell]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=34358</guid>
		<description><![CDATA[Mackerel sky over Balgo in the remote north west of Western Australia by Robyn Ferrell I go with a friend Jennifer to the exhibition ‘Genius of Place’ at the Museum of Contemporary Art in Sydney. Kathleen Petyarre’s canvasses are ravishing, and enormous. Their rhythmic repetition is arresting, and we sit for an uncounted moment of lost time to absorb this. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>128X</title>
		<link>http://www.berfrois.com/2013/05/the-carmen-horse-part-three/</link>
		<comments>http://www.berfrois.com/2013/05/the-carmen-horse-part-three/#comments</comments>
		<pubDate>Fri, 03 May 2013 08:00:30 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Lana Del Rey]]></category>
		<category><![CDATA[Letters]]></category>
		<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[X]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=34233</guid>
		<description><![CDATA[The First Frame of Each Shot from Lana Del Rey’s video Carmen: Part III by X The Turin Horse is about the heaviness of human existence. How it’s difficult to live your daily life, and the monotony of life. –Béla Tarr, on his film The Turin Horse For example, the problem of what it means to die. I know concerning this what ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Elias Tezapsidis gives the new The Knife album 889/1000</title>
		<link>http://www.berfrois.com/2013/04/elias-tezapsidis-this-knife-will-cut-deeper/</link>
		<comments>http://www.berfrois.com/2013/04/elias-tezapsidis-this-knife-will-cut-deeper/#comments</comments>
		<pubDate>Thu, 25 Apr 2013 08:01:29 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Elias Tezapsidis]]></category>
		<category><![CDATA[Equality]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[The Knife]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33935</guid>
		<description><![CDATA[The Knife by Elias Tezapsidis Family Eccentricities In “The Magical Act of a Desperate Person,” Adam Phillips paints a compelling picture of a provocative argument: he asserts that we all spend our lives in recovery from the sadomasochistic experiences we were exposed to as children. Specifically, our personalities can be greatly understood via an analysis of the power dynamic that ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>‘This is about joy’</title>
		<link>http://www.berfrois.com/2013/04/this-is-about-joy/</link>
		<comments>http://www.berfrois.com/2013/04/this-is-about-joy/#comments</comments>
		<pubDate>Tue, 23 Apr 2013 08:00:09 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[CUNY]]></category>
		<category><![CDATA[Lost & Found]]></category>
		<category><![CDATA[Museums]]></category>
		<category><![CDATA[Writers]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33896</guid>
		<description><![CDATA[From Guernica: The Lost &#38; Found project at CUNY’s Center for the Humanities, essential to the revival of the lost novel, has brought thoughtful attention to resurrecting lost prose, journals, and correspondence from a range of twentieth-century writers. Since 2010, its annual series of chapbooks has spotlighted the pamphlet-length work of Diane di Prima, Amiri Baraka, Jack Spicer, Lorine Niedecker, ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>What’s a dwarf fortress then?</title>
		<link>http://www.berfrois.com/2013/04/whats-a-dwarf-fortress-then/</link>
		<comments>http://www.berfrois.com/2013/04/whats-a-dwarf-fortress-then/#comments</comments>
		<pubDate>Fri, 19 Apr 2013 08:01:09 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Video Games]]></category>
		<category><![CDATA[Cities]]></category>
		<category><![CDATA[SimCity]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33837</guid>
		<description><![CDATA[SimCity, Maxis, 1989 From The New Yorker: The great lesson of SimCity, the fact the game was built to display, is the delight of city life, of urbanity in general. Even failing cities are beautiful in SimCity. Their streets are straight and well kempt, their deserted building zones are clean and peaceful and full of possibility. The colors are bright ]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Dylan J. Montanari on Michael Fried</title>
		<link>http://www.berfrois.com/2013/04/dylan-j-montanari-on-michael-frieds-flaubert/</link>
		<comments>http://www.berfrois.com/2013/04/dylan-j-montanari-on-michael-frieds-flaubert/#comments</comments>
		<pubDate>Tue, 16 Apr 2013 08:01:30 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Dylan J. Montanari]]></category>
		<category><![CDATA[French Literature]]></category>
		<category><![CDATA[Gustav Flaubert]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Madame Bovary]]></category>
		<category><![CDATA[Michael Fried]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33724</guid>
		<description><![CDATA[The Death Bed of Madame Bovary, Albert-Auguste Fourie, 1889 by Dylan J. Montanari Flaubert&#8217;s &#8220;Gueuloir&#8221;: On &#8220;Madame Bovary&#8221; and &#8220;Salammbo&#8221;, by Michael Fried, Yale University Press, 196 pp. Readers of contemporary art criticism may have come across the following story about Michael Fried. Fellow critic Rosalind Krauss was with Fried at a show in the mid1960s when someone confronted him ]]></description>
		<wfw:commentRss>http://www.berfrois.com/2013/04/dylan-j-montanari-on-michael-frieds-flaubert/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Often, standing in front of paintings Jenny Diski wonders what it is she is supposed to be feeling&#8230;</title>
		<link>http://www.berfrois.com/2013/04/jenny-diski-wonders-what-shes-supposed-to-be-feeling/</link>
		<comments>http://www.berfrois.com/2013/04/jenny-diski-wonders-what-shes-supposed-to-be-feeling/#comments</comments>
		<pubDate>Fri, 12 Apr 2013 08:00:08 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Art Criticism]]></category>
		<category><![CDATA[Jenny Diski]]></category>
		<category><![CDATA[Pop Culture]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33663</guid>
		<description><![CDATA[From Midnight in Paris, Sony Pictures Classics, 2011 by Jenny Diski There is a picture in the Fitzwilliam Museum in Cambridge, where I live, called The Annunciation. I keep a postcard of it in my writing room, and visit the actual painting from time to time. A winged and haloed angel Gabriel, holding white lilies and pointing up to the ]]></description>
		<wfw:commentRss>http://www.berfrois.com/2013/04/jenny-diski-wonders-what-shes-supposed-to-be-feeling/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The boner comedy genre does hold a few surprises&#8230;</title>
		<link>http://www.berfrois.com/2013/04/the-boner-comedy-genre-does-hold-a-few-surprises/</link>
		<comments>http://www.berfrois.com/2013/04/the-boner-comedy-genre-does-hold-a-few-surprises/#comments</comments>
		<pubDate>Tue, 09 Apr 2013 10:01:17 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Comedy]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33581</guid>
		<description><![CDATA[]]></description>
		<wfw:commentRss>http://www.berfrois.com/2013/04/the-boner-comedy-genre-does-hold-a-few-surprises/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Parsifal Rage</title>
		<link>http://www.berfrois.com/2013/04/parsifal-rage/</link>
		<comments>http://www.berfrois.com/2013/04/parsifal-rage/#comments</comments>
		<pubDate>Tue, 09 Apr 2013 10:00:09 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Parsifal]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33580</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Climbing Up to the Moon</title>
		<link>http://www.berfrois.com/2013/04/climbing-up-to-the-moon/</link>
		<comments>http://www.berfrois.com/2013/04/climbing-up-to-the-moon/#comments</comments>
		<pubDate>Sat, 06 Apr 2013 10:01:22 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Video Games]]></category>
		<category><![CDATA[Ben Taber]]></category>
		<category><![CDATA[Characters]]></category>
		<category><![CDATA[Happiness]]></category>
		<category><![CDATA[Indie Games]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[Stories]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33586</guid>
		<description><![CDATA[by Ben Taber Isn’t it strange how complex and overwhelming our feelings about fictional people can become? There is a conflict of impulses: the sympathetic and the dramatic. We want characters to be happy for the same reason we want our friends and family to be happy – hell, I’m such a goddamn hippie; I even want my enemies to ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Our Surrealist Ancestors</title>
		<link>http://www.berfrois.com/2013/04/our-surrealist-ancestors/</link>
		<comments>http://www.berfrois.com/2013/04/our-surrealist-ancestors/#comments</comments>
		<pubDate>Tue, 02 Apr 2013 10:01:25 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Illustration]]></category>
		<category><![CDATA[Surrealism]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33528</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Giant Man</title>
		<link>http://www.berfrois.com/2013/04/giant-man/</link>
		<comments>http://www.berfrois.com/2013/04/giant-man/#comments</comments>
		<pubDate>Tue, 02 Apr 2013 10:00:36 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Ice Age]]></category>
		<category><![CDATA[Museums]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33529</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>M&#8217;Dada</title>
		<link>http://www.berfrois.com/2013/03/mdada/</link>
		<comments>http://www.berfrois.com/2013/03/mdada/#comments</comments>
		<pubDate>Fri, 22 Mar 2013 08:00:58 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Dadaism]]></category>
		<category><![CDATA[Hugo Ball]]></category>
		<category><![CDATA[Manifesto]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33395</guid>
		<description><![CDATA[The Art Critic, Raoul Hausmann, 1919-20 by Hugo Ball Dada is a new tendency in art. One can tell this from the fact that until now nobody knew anything about it, and tomorrow everyone in Zurich will be talking about it. Dada comes from the dictionary. It is terribly simple. In French it means &#8220;hobby horse&#8221;. In German it means ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>33.333</title>
		<link>http://www.berfrois.com/2013/03/33-333/</link>
		<comments>http://www.berfrois.com/2013/03/33-333/#comments</comments>
		<pubDate>Thu, 21 Mar 2013 08:00:42 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Brian Eno]]></category>
		<category><![CDATA[Logan K. Young]]></category>
		<category><![CDATA[No New York]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33373</guid>
		<description><![CDATA[Cover of No New York, Brian Eno, 1978 From 3:AM: As if the name alone weren’t troubling enough, the fact that No New York is, was and forever shall be a compilation proves equally as troublous. More so than anyone else, it was Brian Eno who committed these four bands to wax. So, yet again, an essay explicitly devoted to ]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Danny Boyle to Direct Trainspotting 2</title>
		<link>http://www.berfrois.com/2013/03/danny-boyle-to-direct-trainspotting-2/</link>
		<comments>http://www.berfrois.com/2013/03/danny-boyle-to-direct-trainspotting-2/#comments</comments>
		<pubDate>Wed, 20 Mar 2013 08:01:31 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Main article]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33315</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>[redacted]@[redacted].[redacted]</title>
		<link>http://www.berfrois.com/2013/03/redacted-redacted-redacted/</link>
		<comments>http://www.berfrois.com/2013/03/redacted-redacted-redacted/#comments</comments>
		<pubDate>Wed, 20 Mar 2013 08:00:28 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Art Galleries]]></category>
		<category><![CDATA[Artists]]></category>
		<category><![CDATA[CV]]></category>
		<category><![CDATA[Work]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33314</guid>
		<description><![CDATA[Claude Monet’s signature in the Dulwich Picture Gallery visitors’ book From Paper Monument: By now, commercial galleries know to make an artist’s CV, press clippings, and images readily available for download by prospective collectors and critics alike. Email blasts and rich media campaigns have all but replaced snail-mailed press releases. “You Are Your Analytics” is a slogan as likely to ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>London</title>
		<link>http://www.berfrois.com/2013/03/london/</link>
		<comments>http://www.berfrois.com/2013/03/london/#comments</comments>
		<pubDate>Sat, 16 Mar 2013 10:02:15 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[David Jones]]></category>
		<category><![CDATA[London]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33249</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Russell Bennetts: Jarredhead</title>
		<link>http://www.berfrois.com/2013/03/russell-bennetts-jarredhead/</link>
		<comments>http://www.berfrois.com/2013/03/russell-bennetts-jarredhead/#comments</comments>
		<pubDate>Thu, 07 Mar 2013 08:00:19 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Russell Bennetts]]></category>
		<category><![CDATA[Terrorism]]></category>
		<category><![CDATA[Torture]]></category>
		<category><![CDATA[Zero Dark Thirty]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33015</guid>
		<description><![CDATA[Kathryn Bigelow and Mark Boal at the 85th Academy Awards; screengrabs by X by Russell Bennetts 1. John Barrowman. 2. All-too pertinent news clips are shown in the background of two discussion scenes. 3. Music I listen to for pleasure being used for pain. (I know this happened IRL, but nonetheless.) 4. A song that is ‘new’ in the UK ]]></description>
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		<title>‘Perfectly comfortable to live in when the hour means idleness’</title>
		<link>http://www.berfrois.com/2013/03/perfectly-comfortable-to-live-in-idleness/</link>
		<comments>http://www.berfrois.com/2013/03/perfectly-comfortable-to-live-in-idleness/#comments</comments>
		<pubDate>Tue, 05 Mar 2013 08:00:02 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Arts & Culture]]></category>
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		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Mariana Van Rensselaer]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=32947</guid>
		<description><![CDATA[Mrs. Schuyler Van Rensselaer (Mariana Griswold), Augustus Saint Gaudens, 1888 From The Design Observer: Many of Van Rensselaer&#8217;s essays focus on country houses, and can be read as offering a counter-narrative to the better-known contemporaneous essays on high-rise architecture by Louis Sullivan and Montgomery Schuyler.  In his seminal “The Tall Office Building Artistically Considered,” from 1896, Sullivan described the skyscraper ]]></description>
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