Berfrois

Daniel Bosch on William Pope.L

Daniel Bosch on William Pope.L

William Pope.L is famous for (among other things) carrying a business card that identifies him as “The Friendliest Black Artist in America.” It’s a clever gag because it makes itself true, in a way, every time it draws people closer. The card must be especially useful when Pope.L does...

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A Punk Controversy

A Punk Controversy

From music video “Big City Nights” for Da Funk, by Daft Punk, 1995. Directed by Spike Jonze by Enrique Lima It is nearly impossible for popular music to represent history. The historiographic imagination is beyond it, I think. Linearity, plot, and telos are too important to the telling of...

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Whatever Fitz

Whatever Fitz

Baz Luhrmann adapts Fitzgerald and the result is pretty much as you might expect. There are no surprises here. You have a continual sense that you have seen this film before. That is largely because you have – if, that is, you happened to chance upon any of Luhrmann’s...

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Press the Pedal Again

Press the Pedal Again

Piper, Eduard Bersudsky, 2013 From Aeon: You press the pedal at the base of Eduard Bersudsky’s sculpture Piper (2013). The shadow on the wall moves, the cogs begin to hum, the little bell rings, and the pair of gendered fauns flex their legs to activate the dog typist at...

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Jesse Miksic in Columbia

Jesse Miksic in Columbia

One of the strengths of BioShock Infinite, acknowledged less often than its expansive and detailed historical-revisionist steampunk setting, is the way its narrative is punctuated. The extended forays down cobblestone streets – and the intermittent murderous rampages – are connective tissue, linking a series of scenes that are genuinely,...

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Robyn Ferrell: Open to the Sacred

Robyn Ferrell: Open to the Sacred

Mackerel sky over Balgo in the remote north west of Western Australia by Robyn Ferrell I go with a friend Jennifer to the exhibition ‘Genius of Place’ at the Museum of Contemporary Art in Sydney. Kathleen Petyarre’s canvasses are ravishing, and enormous. Their rhythmic repetition is arresting, and we...

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128X

128X

The chance entrance to the city before it disappeared. Thoughts hanging like bodies from ropes. The image seems to have been taken from inside a moving car, but this is staged. The windshield wipers are props. The highway is front-projection.

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Elias Tezapsidis gives the new The Knife album 889/1000

Elias Tezapsidis gives the new The Knife album 889/1000

The Knife definitely employs the shock-value of an incestuous theme to further strengthen their mission in creating powerful work. The music duo is comprised of Swedish siblings Olof Dreijer and Karin Dreijer Andersson. They produce and release their music through their own label, Rabid Records, and therefore are in...

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‘This is about joy’

‘This is about joy’

From Guernica: The Lost & Found project at CUNY’s Center for the Humanities, essential to the revival of the lost novel, has brought thoughtful attention to resurrecting lost prose, journals, and correspondence from a range of twentieth-century writers. Since 2010, its annual series of chapbooks has spotlighted the pamphlet-length...

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What’s a dwarf fortress then?

What’s a dwarf fortress then?

SimCity, Maxis, 1989 From The New Yorker: The great lesson of SimCity, the fact the game was built to display, is the delight of city life, of urbanity in general. Even failing cities are beautiful in SimCity. Their streets are straight and well kempt, their deserted building zones are...

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Dylan J. Montanari on Michael Fried

Dylan J. Montanari on Michael Fried

Readers of contemporary art criticism may have come across the following story about Michael Fried. Fellow critic Rosalind Krauss was with Fried at a show in the early 1960s when someone confronted him about a Frank Stella painting. “What’s so good about that?” the challenger asked. According to Krauss,...

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Often, standing in front of paintings Jenny Diski wonders what it is she is supposed to be feeling…

Often, standing in front of paintings Jenny Diski wonders what it is she is supposed to be feeling…

From Midnight in Paris, Sony Pictures Classics, 2011 by Jenny Diski There is a picture in the Fitzwilliam Museum in Cambridge, where I live, called The Annunciation. I keep a postcard of it in my writing room, and visit the actual painting from time to time. A winged and...

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Climbing Up to the Moon

Climbing Up to the Moon

Isn’t it strange how complex and overwhelming our feelings about fictional people can become? There is a conflict of impulses: the sympathetic and the dramatic. We want characters to be happy for the same reason we want our friends and family to be happy – hell, I’m such a...

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M’Dada

M’Dada

Dada is a new tendency in art. One can tell this from the fact that until now nobody knew anything about it, and tomorrow everyone in Zurich will be talking about it. Dada comes from the dictionary. It is terribly simple. In French it means "hobby horse". In German...

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33.333

33.333

As if the name alone weren’t troubling enough, the fact that No New York is, was and forever shall be a compilation proves equally as troublous. More so than anyone else, it was Brian Eno who committed these four bands to wax. So, yet again, an essay explicitly devoted...

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