Berfrois

Getting Lost in Narrative Virtuality by Will Luers

Getting Lost in Narrative Virtuality by Will Luers

“Getting lost” in a work of fiction is a conventional expression that speaks to the immersive power of narrative...

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James Glickman: Whedon’s Shakespeare

James Glickman: Whedon’s Shakespeare

Joss Whedon’s recent Much Ado About Nothing embodies the question: can movies made from Shakespeare still find a wide audience? It has been a long trajectory since 1948 when Laurence Olivier's Hamlet got seven nominations and three Academy awards, including Best Picture and Best Actor, to the late ‘90s...

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Restoration Revamped

Restoration Revamped

In the Land of the Head Hunters, Edward S. Curtis, 1914 by Oliver Farry In the Land of the Head Hunters, dir. Edward S. Curtis, 65 minutes One of the best films of 2013 was released in 1914. Edward S. Curtis, well known for his documentary photographs of the...

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Downtown hipsters headed to the video dungeon below…

Downtown hipsters headed to the video dungeon below…

Narcissister is You, Narcissister, 2012. Photograph by Emily Colucci. Via From Lana Turner: A Journal of Poetry and Opinion: Saturday afternoon, I took the train from Astoria to Prince Street. Navigating East, through the brick wall to brick wall Soho throng, I crossed that little cement slab of park...

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Presenting Art by Patricia Emison

Presenting Art by Patricia Emison

I came to John Berger's Ways of Seeing through the back door. About a decade after the four-part series on the BBC (1972) had excited attention as a scrappy response to Kenneth Clark's staid Civilisation (1969), I read the book because the title was so often cited. I confess...

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“Property” (intended in a pejorative sense)

“Property” (intended in a pejorative sense)

12 Years a Slave, Fox Searchlight Pictures, 2013 From The New York Review of Books: The film is unflinching in its portrayal of brutality. Noosed, strung up, and choking with just his toes touching the dirt in punishment for attacking the overseer Tibeats, Northup seems to hang forever, as...

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For Neon

For Neon

by Eleanor Courtemanche The Bling Ring, dir. Sofia Coppola, U.S.A, 90 minutes It’s hard to watch Sofia Coppola’s 2013 The Bling Ring, which came out on DVD about a month ago, without feeling like you’re at the end of a chain (no, I didn’t say human chain) of recycled...

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Nicholas Rombes on Lou Reed

Nicholas Rombes on Lou Reed

This is not another obituary, another retrospective, another "Lou Reed's songs were the soundtrack to my life" essay. It is instead an attempt to find, in the small, quiet pockets of air in Lou Reed's 1975 album Metal Machine Music trace elements of the less obvious ingredients that made...

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Elias Tezapsidis on DMX

Elias Tezapsidis on DMX

The rapper DMX is famous for his infamy. Fame came to him through his trademark rapping style and emotionally staggering songwriting, letting him become the powerhouse that has had five consecutive No. 1 albums. Infamy came to him through his continuous trouble in abiding several legal frameworks and law-enforcing...

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Two Visual Tropes = Love by Masha Tupitsyn

Two Visual Tropes = Love by Masha Tupitsyn

Do we see (have) these kinds of moments of seeing in real life or do they happen only in camera space? In the fiction of movies. Is the face of the lover loving and seeing the lover restricted to mise-en-scène? Is the lover's face just another visual trope? Two...

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Bridget Alsdorf on Henri Fantin-Latour

Bridget Alsdorf on Henri Fantin-Latour

The term avant-garde simultaneously conjures images of renegade individuals and cooperative groups. As an adjective, it usually designates something experimental and ground-breaking, often describing the work of a singular, exceptional mind; while as a noun it refers to a zealous association, formed around a set of innovative ideas and...

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Bodymoving

Bodymoving

From Dreamaphage, Jason Nelson, 2004 by Maria Angel and Anna Gibbs riting is indeed an act in league with the past and the future, but it also requires that a body move through the space of the now. The gestures of writing can make the body present as well...

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Jesse Miksic: Fear and Pity and Horror

Jesse Miksic: Fear and Pity and Horror

Don’t Look Now, Casey Productions, 1973 by Jesse Miksic Look at me, my native citizens, as I go on my final journey, as I gaze upon the sunlight one last time, which I’ll never see again—for Hades, who brings all people to their final sleep, leads me on, while...

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A young girl’s strange, erotic journey…

A young girl’s strange, erotic journey…

Young and Beautiful (its English title is far more ungainly than the original) treats in a similar way nascent sexuality and literary awakening, which, once again, go hand in hand. 16-year-old Isabelle (Marine Vacth), takes to prostitution soon after losing her virginity through a holiday fling, but the film...

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