Berfrois

Dada’s Sex

Dada’s Sex

We are getting close to the 100 year anniversary of Cabaret Voltaire in Zurich and I dedicate my post to Tzara while reading the recent biography about him.

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Throw Your Blows

Throw Your Blows

Those personal catastrophes that we can’t reconcile with ourselves despite the anguish they cause are the subject of much of serious modern art. Art returns over and over to the personal tragedies that remain with you, to the lacerations of the past that never heal, but with a resignation...

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Robyn Ferrell: Aboriginal Art

Robyn Ferrell: Aboriginal Art

Paintings are the moon and stars in a dark sky for Australian Aboriginal communities. The economic success of this art holds out an almost utopic prospect of a cultural renaissance. Yet poverty, violence and third-world living standards in its remote communities remain the present reality.

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Human Finitude as Plot Device

Human Finitude as Plot Device

The Revenger’s Tragedy, Royal Shakespeare Company, Pitlochry Festival Theatre 1965 production. by Attila Kiss “What brother, am I far enough from myself?” (The Revenger’s Tragedy, Vindice, 1.3.1) The persistent employment of excessive violence on the early modern English stage was studied by Renaissance scholarship for centuries in diverse...

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What has happened to bring about the sad demise of the Western?

What has happened to bring about the sad demise of the Western?

The only recent Westerns that have managed to arouse my enthusiasm have been those made for TV: Walter Hill’s Broken Trail, and Deadwood, whose third and final season no one has even bothered to bring out on DVD in Spain, which gives you some idea of how unsuccessful the...

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Seduce Police Virgins

Seduce Police Virgins

by Justin E. H. Smith Amateur neo-Kremlinologists will by now have heard of Pussy Riot, a league of masked anarchist feminist punks who, until recently, could be spotted around Moscow performing their music, uninvited, in public spaces. Their career was cut short when two of their members were detained...

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Meaghan Emery on The Artist

Meaghan Emery on The Artist

Every once in a while a film comes out that breaks through conventional wisdom. The idea that a black and white silent film in 2011 could be such a resounding critical and commercial success, in addition to its prominence in international film festivals, six Césars, and now five Academy...

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‘Pop songs are deeply monological’

‘Pop songs are deeply monological’

The Human League by Enrique Lima Although this seems self-evident it’s worth explaining. As Bakhtin long ago observed, novels are heteroglossic. That is, although one consciousness or voice may dominate narration, the novel is compelled by its own philosophical-formal orientation to include other voices. I’ll mention just a couple...

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Horror films have never been all that friendly to women…

Horror films have never been all that friendly to women…

A Nightmare on Elm Street, New Line Cinema, 1984 From The Believer: Horror franchises’ relationship to violence doesn’t always outwardly have something to teach us. Throw gender into the works—specifically, the female gender—and the results seem less than thought-provoking. Indeed, you might begin to question why you watch these...

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Nicholas Rombes: Punk

Nicholas Rombes: Punk

Mark Perry, the founder of one of the earliest punk fanzines Sniffin' Glue, has said, “Although was entirely connected to the hippy politics, it was entirely the natural progression of hippies' 'anti-establishmentism,' I think. You couldn't wear bells and flowers to freak the powers out anymore and there...

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Sexless in Skyrim

Sexless in Skyrim

From The Elder Scrolls V: Skyrim, Bethesda Softworks, 2011 From The New Inquiry: You can die in Skyrim in the same way that you can die in all videogames, as a fleeting inconvenience for having lost a sword fight, a small technicality. Once dead you reset to the last...

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Tax Bracket Exposure

Tax Bracket Exposure

Uebermalte Fotografien, Gerhard Richter, 2005 From N+1: It was obvious from my very first day that Sotheby’s would be exactly as I had come to imagine it. As the elevator reached each floor, archetypes spilled forth. Tweedy men got off at Rare Books, preppies at Impressionism, former sorority pledges...

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Eli Evans plays chicken

Eli Evans plays chicken

There is a moment in Jean-Luc Godard’s 1966 Masculin Feminin in which the character played by a young and brilliant Jean-Pierre Léaud claims that one day at home while eating mashed potatoes his father discovered why the earth goes round the sun.

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From the Militant

From the Militant

Rosetta, ARP Sélection, 1999 by R.D. Crano Jean-Pierre and Luc Dardenne, by Joseph Mai, Urbana: University of Illinois Press. 156 pp. Since the Dardenne brothers first broke onto the international cinema scene with La promesse (1996) a decade and a half ago, their work has enjoyed immense critical acclaim...

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PacT

PacT

From “Anthology of Interest III”, Futurama, Season 3, The Curiosity Company From The Millions: The medial bulk of the book is accounted for by the actual “addict’s guide to battle tactics” promised by its ungainly subtitle, and this is where it really flourishes as a bizarro-world extracanonical oddity. It’s...

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Free Content

Free Content

by Gregory Jusdanis “Imagine a world without art.” This could easily have been the message greeting visitors to the Wikipedia site on January 18, 2012, when it went silent in protest against legislation proposed in Congress (Stop Online Privacy Act, or SOPA). For Wikipedia and Google the issue is...

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Stuart Elden on Coriolanus

Stuart Elden on Coriolanus

Menenius comes out of this film as a largely sympathetic figure, more so than he does from the play. His somewhat ambivalent attitude to the people is largely removed here. In the film’s greatest liberty with the play’s script, but largely in keeping with its own vision, he is...

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Oliver Farry on Michel Houellebecq

The peculiar circumstances surrounding the publication of Michel Houellebecq’s latest novel constitute a case study in how even the biggest literary news stories are,...

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McKenzie Wark
Information in Chains

“Information wants to be free, but is everywhere in chains.” The development of the forces of production took a qualitatively different turn when information...

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Bobbi Lurie
Bobbi Lurie: Organic Fortune

isis - ebola - obama hit by halal truck (where is duchamp?)

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Bharat Azad
Bharat Azad Meets Adair Turner

In a quiet office tucked away in Mayfair – over a long table so white I am hesitant to even place my fingers on...

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Andre Gerard: Light Here, Shadow There

The deeper one looks in To the Lighthouse the more one sees. The more one listens the more one hears. Homer, Shakespeare, Conrad and...

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Claudia Landolfi: Europe’s Colonial Perversion

The aftermath of a violent act or after a sharp change of political horizons is also a crisis of imagination and language. The rupture...

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Jerry Moore: Feverish Rivers

I learned that Gerardo Reichel-Dolmatoff had been a Nazi when I was in a Santa Marta supermarket. I had just stepped into the Exito...

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Lauren Berlant
Lauren Berlant flies

Most of the writing we do is actually a performance of stuckness. It is a record of where we got stuck on a question...

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Robyn Ferrell on Balthus

The pitfalls of identification, hero-worship, envy and malice can beset the most patient writer in the throes of five hundred-plus pages of attention to...

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Michael Munro on Spinoza

Immanence is not philosophy, nor philosophy immanence. But there is in the passage from one to the other a modification of sense that is...

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David Beer
David Beer: Broadcastwerk

Writing at sometime around 1930 or 1931, Walter Benjamin suggested that the voice on the radio is a like a visitor in the home,...

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Rose Barnsley: Young, Gifted and Žižekian

At nineteen, it is easy to think that all you're missing is the right movement. But there is something about the young left wing...

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Vincent W.J. van Gerven Oei: Rama’s And

While local journalists were once again busy regurgitating worn-down, coma inducing positions about yet another spectral appearance of Enver Hoxha at the celebration of...

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Playing the Percentages: Berfrois Interviews Danny Dorling

The portrait of the 1% in your book is one of sociopathic, power-hungry narcissists with a striking lack of empathy. This may seem antagonistic,...

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