Berfrois

Philippe Theophanidis on Jean-Luc Godard

Philippe Theophanidis on Jean-Luc Godard

by Philippe Theophanidis Goodbye to Language (Adieu au Langage), Jean-Luc Godard, 2014, 70 mins. Nous comme la brèche elle-même, tracé hasardeux d’une rupture. —Jean-Luc Nancy At one point near the end of his unfinished novel Jean Santeuil, Marcel Proust describes a painting by Claude Monet from 1897, titled “Bras de Seine près de Giverny”. It…

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Bodymoving

Bodymoving

From Dreamaphage, Jason Nelson, 2004 by Maria Angel and Anna Gibbs riting is indeed an act in league with the past and the future, but it also requires that a body move through the space of the now. The gestures of writing can make the body present as well...

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Jesse Miksic: Fear and Pity and Horror

Jesse Miksic: Fear and Pity and Horror

Don’t Look Now, Casey Productions, 1973 by Jesse Miksic Look at me, my native citizens, as I go on my final journey, as I gaze upon the sunlight one last time, which I’ll never see again—for Hades, who brings all people to their final sleep, leads me on, while...

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A young girl’s strange, erotic journey…

A young girl’s strange, erotic journey…

Young and Beautiful (its English title is far more ungainly than the original) treats in a similar way nascent sexuality and literary awakening, which, once again, go hand in hand. 16-year-old Isabelle (Marine Vacth), takes to prostitution soon after losing her virginity through a holiday fling, but the film...

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How the Avant-Garde Still Lives in China by Rossella Ferrari

How the Avant-Garde Still Lives in China by Rossella Ferrari

Obituaries for the avant-garde proliferate. Critics, academics and cultural observers in the so-called Western world have told us for decades that the avant-garde has declined, fallen, imploded, capitulated and blunt its edge; that it has become creatively exhausted, ideologically reified, historically irrelevant. The avant-garde is past, gone, dead. But...

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David Joselit: Art and Plastic Info

David Joselit: Art and Plastic Info

We live in a world of Wikileaks and cyber-terrorism where information is wielded as both a weapon and a currency. Most recently, Edward Snowden, a former contractor for the American National Security Agency, leaked documents revealing that the United States tracks its citizens’ phone calls by compiling metadata records...

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Everybody (Bosch’s Back)

Everybody (Bosch’s Back)

“By a factor of three or four, over any remotely cost-similar approaches. The workers are so many, and they are tireless, and there is no portion of the structure they cannot reach. Plus their mandibles are so sharp and so precise, that there is almost no risk of damage...

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Joshua Oppenheimer’s Movie

Joshua Oppenheimer’s Movie

by Oliver Farry The Act of Killing, dir. Joshua Oppenheimer, Denmark/Norway/UK, 115 minutes Joshua Oppenheimer’s The Act of Killing has made ripples in the West not so much because it’s a good film (though there is much about it that is very good) but because the impunity it portrays...

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Jenny Diski’s Flame War

Jenny Diski’s Flame War

Mad Men, AMC by Jenny Diski In 1959, by pure accident, Roger O. Thornhill was mistaken for another man. Actually, he was taken for a man who did not and had never existed. Thornhill’s initials spell ROT, which is printed on his monogrammed matchbooks, and when asked what the...

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Imperial Fantasy VII

Imperial Fantasy VII

From FINAL FANTASY VII, Square, 1997 by Simon Ferrari and Ian Bogost Games of Empire: Global Capitalism and Video Games, by Nick Dyer-Witheford and Greig de Peuter, Minneapolis: University of Minnesota Press, 320pp. In Games of Empire, Nick Dyer-Witheford and Greig de Peuter expand an earlier study of “the...

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Grrrls, Grrrls, Grrrls

Grrrls, Grrrls, Grrrls

Juliana Hatfield. Photograph by Christian Kock From The New Inquiry: In the fall of 1991, a 24-year-old Juliana Hatfield had just broken up her college band, Blake Babies, a mainstay of Boston’s fertile indie rock scene, and finished recording her solo debut, Hey Babe, now many years out of...

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Bobbi Lurie: Mad, Mad, Mad, Mad Men

Bobbi Lurie: Mad, Mad, Mad, Mad Men

by Bobbi Lurie Dear Russell Bennetts, editor of Berfrois. After seeing the god-awful Season Six finale of Mad Men, I have decided to throw away my television set. Here is a tweet I posted immediately after watching it: Bobbi Lurie ‏@BobbiLurie n-n-n-nnooooooooo …. not the “redemption” thing ~ ~...

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Logan K. Young on The Replacements

I, myself, was barely six months old when Twin/Tone put out The Mats’ Let It Be. The day, they say, was Orwellian: Tuesday, October...

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Tyranny Is a Growth Industry by Vladimir Savich and Zachary Bos

Tyranny is a growth industry. Each day brings exciting new developments. These events imprint themselves upon the world in the form of newspapers, magazines,...

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Tjoa Shze Hui: 1920s

Of the many witticisms that make up The Autobiography of Alice B. Toklas, one voiced by Picasso really gets under the skin. He says...

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Elias Tezapsidis on Lorentzen, Batuman, Lerner, Smallwood and Stein

Contemporary narrators feel entitled to their own realities now more than ever. The internet has created this fascinating binary, one in which individuals can...

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Henry Giardina on Bob Hope

All mythical creatures need an origin story. The Bob Hope character springs into being, Athena-like, from out of the head of Preston Sturges in...

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Mattilda B. Sycamore: Yearning From Spurning

One problem with gentrification is that it always gets worse. But then I go into a Hooters, and it’s a vintage clothing store. A...

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Alexander McGregor
Alexander McGregor: Trauma

Following World War II, the German philosopher Theodor Adorno wrote, “Nach Auschwitz ein Gedicht zu schreiben, ist barbarisch”: to write poetry after Auschwitz is...

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John Crutchfield: Chords

But music, even bad music, is a symptom of hope, is it not? Naturally one would prefer the music to be good, but any...

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Menachem Feuer on Robin Williams

Regardless of whether you are from Europe, the United States, Asia, or Africa, we can all agree that there is something special about the...

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Reality Principles: Berfrois Interviews Frank Smecker

I don't know if I ever wanted to become a theorist. I struggle with this position. For me, it's a hystericized — and therefore...

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Albert Rolls: Which (Side) Are You On, Man?

James Parker begins his review of Inherent Vice with the quip, “If Thomas Pynchon were a stand-up comedian, and Inherent Vice his newest routine,...

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Keith Doubt
Keith Doubt on Serbia

The intellectual integrity of cultural anthropology is based largely on its commitment to cultural relativism as a principled notion. Cultural relativism is the principle...

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A Gosse in Woolf’s Clothing by Andre Gerard

On May 31, two weeks after his death, and the day before Orlando was sent to the printer, Woolf noted his death as follows:...

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Andrew Gallix: Let’s Go!

Retro-futurism, as we now call it, came out of the closet in the late '70s due to the widespread feeling that there was indeed...

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