Berfrois

Dada’s Sex

Dada’s Sex

We are getting close to the 100 year anniversary of Cabaret Voltaire in Zurich and I dedicate my post to Tzara while reading the recent biography about him.

Read More

“Property” (intended in a pejorative sense)

“Property” (intended in a pejorative sense)

12 Years a Slave, Fox Searchlight Pictures, 2013 From The New York Review of Books: The film is unflinching in its portrayal of brutality. Noosed, strung up, and choking with just his toes touching the dirt in punishment for attacking the overseer Tibeats, Northup seems to hang forever, as...

Read More

For Neon

For Neon

by Eleanor Courtemanche The Bling Ring, dir. Sofia Coppola, U.S.A, 90 minutes It’s hard to watch Sofia Coppola’s 2013 The Bling Ring, which came out on DVD about a month ago, without feeling like you’re at the end of a chain (no, I didn’t say human chain) of recycled...

Read More

Nicholas Rombes on Lou Reed

Nicholas Rombes on Lou Reed

This is not another obituary, another retrospective, another "Lou Reed's songs were the soundtrack to my life" essay. It is instead an attempt to find, in the small, quiet pockets of air in Lou Reed's 1975 album Metal Machine Music trace elements of the less obvious ingredients that made...

Read More

Elias Tezapsidis on DMX

Elias Tezapsidis on DMX

The rapper DMX is famous for his infamy. Fame came to him through his trademark rapping style and emotionally staggering songwriting, letting him become the powerhouse that has had five consecutive No. 1 albums. Infamy came to him through his continuous trouble in abiding several legal frameworks and law-enforcing...

Read More

Two Visual Tropes = Love by Masha Tupitsyn

Two Visual Tropes = Love by Masha Tupitsyn

Do we see (have) these kinds of moments of seeing in real life or do they happen only in camera space? In the fiction of movies. Is the face of the lover loving and seeing the lover restricted to mise-en-scène? Is the lover's face just another visual trope? Two...

Read More

Bridget Alsdorf on Henri Fantin-Latour

Bridget Alsdorf on Henri Fantin-Latour

The term avant-garde simultaneously conjures images of renegade individuals and cooperative groups. As an adjective, it usually designates something experimental and ground-breaking, often describing the work of a singular, exceptional mind; while as a noun it refers to a zealous association, formed around a set of innovative ideas and...

Read More

Bodymoving

Bodymoving

From Dreamaphage, Jason Nelson, 2004 by Maria Angel and Anna Gibbs riting is indeed an act in league with the past and the future, but it also requires that a body move through the space of the now. The gestures of writing can make the body present as well...

Read More

Jesse Miksic: Fear and Pity and Horror

Jesse Miksic: Fear and Pity and Horror

Don’t Look Now, Casey Productions, 1973 by Jesse Miksic Look at me, my native citizens, as I go on my final journey, as I gaze upon the sunlight one last time, which I’ll never see again—for Hades, who brings all people to their final sleep, leads me on, while...

Read More

A young girl’s strange, erotic journey…

A young girl’s strange, erotic journey…

Young and Beautiful (its English title is far more ungainly than the original) treats in a similar way nascent sexuality and literary awakening, which, once again, go hand in hand. 16-year-old Isabelle (Marine Vacth), takes to prostitution soon after losing her virginity through a holiday fling, but the film...

Read More

How the Avant-Garde Still Lives in China by Rossella Ferrari

How the Avant-Garde Still Lives in China by Rossella Ferrari

Obituaries for the avant-garde proliferate. Critics, academics and cultural observers in the so-called Western world have told us for decades that the avant-garde has declined, fallen, imploded, capitulated and blunt its edge; that it has become creatively exhausted, ideologically reified, historically irrelevant. The avant-garde is past, gone, dead. But...

Read More

David Joselit: Art and Plastic Info

David Joselit: Art and Plastic Info

We live in a world of Wikileaks and cyber-terrorism where information is wielded as both a weapon and a currency. Most recently, Edward Snowden, a former contractor for the American National Security Agency, leaked documents revealing that the United States tracks its citizens’ phone calls by compiling metadata records...

Read More

Everybody (Bosch’s Back)

Everybody (Bosch’s Back)

“By a factor of three or four, over any remotely cost-similar approaches. The workers are so many, and they are tireless, and there is no portion of the structure they cannot reach. Plus their mandibles are so sharp and so precise, that there is almost no risk of damage...

Read More

Joshua Oppenheimer’s Movie

Joshua Oppenheimer’s Movie

by Oliver Farry The Act of Killing, dir. Joshua Oppenheimer, Denmark/Norway/UK, 115 minutes Joshua Oppenheimer’s The Act of Killing has made ripples in the West not so much because it’s a good film (though there is much about it that is very good) but because the impunity it portrays...

Read More

Jenny Diski’s Flame War

Jenny Diski’s Flame War

Mad Men, AMC by Jenny Diski In 1959, by pure accident, Roger O. Thornhill was mistaken for another man. Actually, he was taken for a man who did not and had never existed. Thornhill’s initials spell ROT, which is printed on his monogrammed matchbooks, and when asked what the...

Read More
Oliver Farry on Michel Houellebecq

The peculiar circumstances surrounding the publication of Michel Houellebecq’s latest novel constitute a case study in how even the biggest literary news stories are,...

Read More
McKenzie Wark
Information in Chains

“Information wants to be free, but is everywhere in chains.” The development of the forces of production took a qualitatively different turn when information...

Read More
Bobbi Lurie
Bobbi Lurie: Organic Fortune

isis - ebola - obama hit by halal truck (where is duchamp?)

Read More
Bharat Azad
Bharat Azad Meets Adair Turner

In a quiet office tucked away in Mayfair – over a long table so white I am hesitant to even place my fingers on...

Read More
Andre Gerard: Light Here, Shadow There

The deeper one looks in To the Lighthouse the more one sees. The more one listens the more one hears. Homer, Shakespeare, Conrad and...

Read More
Claudia Landolfi: Europe’s Colonial Perversion

The aftermath of a violent act or after a sharp change of political horizons is also a crisis of imagination and language. The rupture...

Read More
Jerry Moore: Feverish Rivers

I learned that Gerardo Reichel-Dolmatoff had been a Nazi when I was in a Santa Marta supermarket. I had just stepped into the Exito...

Read More
Lauren Berlant
Lauren Berlant flies

Most of the writing we do is actually a performance of stuckness. It is a record of where we got stuck on a question...

Read More
Robyn Ferrell on Balthus

The pitfalls of identification, hero-worship, envy and malice can beset the most patient writer in the throes of five hundred-plus pages of attention to...

Read More
Michael Munro on Spinoza

Immanence is not philosophy, nor philosophy immanence. But there is in the passage from one to the other a modification of sense that is...

Read More
David Beer
David Beer: Broadcastwerk

Writing at sometime around 1930 or 1931, Walter Benjamin suggested that the voice on the radio is a like a visitor in the home,...

Read More
Rose Barnsley: Young, Gifted and Žižekian

At nineteen, it is easy to think that all you're missing is the right movement. But there is something about the young left wing...

Read More
Vincent W.J. van Gerven Oei: Rama’s And

While local journalists were once again busy regurgitating worn-down, coma inducing positions about yet another spectral appearance of Enver Hoxha at the celebration of...

Read More
Playing the Percentages: Berfrois Interviews Danny Dorling

The portrait of the 1% in your book is one of sociopathic, power-hungry narcissists with a striking lack of empathy. This may seem antagonistic,...

Read More