Berfrois

“J.M. Coetzee”

“J.M. Coetzee”

On 21 December, 2012, I had the privilege of introducing J.M. Coetzee to an expectant audience at the University of Cape Town; he was about to read from his new, as yet unpublished work, The Childhood of Jesus.

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Everybody (Bosch’s Back)

Everybody (Bosch’s Back)

“By a factor of three or four, over any remotely cost-similar approaches. The workers are so many, and they are tireless, and there is no portion of the structure they cannot reach. Plus their mandibles are so sharp and so precise, that there is almost no risk of damage...

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Joshua Oppenheimer’s Movie

Joshua Oppenheimer’s Movie

by Oliver Farry The Act of Killing, dir. Joshua Oppenheimer, Denmark/Norway/UK, 115 minutes Joshua Oppenheimer’s The Act of Killing has made ripples in the West not so much because it’s a good film (though there is much about it that is very good) but because the impunity it portrays...

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Jenny Diski’s Flame War

Jenny Diski’s Flame War

Mad Men, AMC by Jenny Diski In 1959, by pure accident, Roger O. Thornhill was mistaken for another man. Actually, he was taken for a man who did not and had never existed. Thornhill’s initials spell ROT, which is printed on his monogrammed matchbooks, and when asked what the...

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Imperial Fantasy VII

Imperial Fantasy VII

From FINAL FANTASY VII, Square, 1997 by Simon Ferrari and Ian Bogost Games of Empire: Global Capitalism and Video Games, by Nick Dyer-Witheford and Greig de Peuter, Minneapolis: University of Minnesota Press, 320pp. In Games of Empire, Nick Dyer-Witheford and Greig de Peuter expand an earlier study of “the...

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Grrrls, Grrrls, Grrrls

Grrrls, Grrrls, Grrrls

Juliana Hatfield. Photograph by Christian Kock From The New Inquiry: In the fall of 1991, a 24-year-old Juliana Hatfield had just broken up her college band, Blake Babies, a mainstay of Boston’s fertile indie rock scene, and finished recording her solo debut, Hey Babe, now many years out of...

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Bobbi Lurie: Mad, Mad, Mad, Mad Men

Bobbi Lurie: Mad, Mad, Mad, Mad Men

by Bobbi Lurie Dear Russell Bennetts, editor of Berfrois. After seeing the god-awful Season Six finale of Mad Men, I have decided to throw away my television set. Here is a tweet I posted immediately after watching it: Bobbi Lurie ‏@BobbiLurie n-n-n-nnooooooooo …. not the “redemption” thing ~ ~...

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W for Welles

W for Welles

Poster for F is For Fake, Specialty Films, 1975 From The New Yorker: When Welles came to Hollywood, in 1939, at the age of twenty-four, he was already famous for his radio work—not least for the great “War of the Worlds” hoax—and heralded as the next big thing without...

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Light First

Light First

“I am dealing with no object,” Turrell said in a lecture a few years after producing First Light. “I am dealing with no image, because I want to avoid associative, symbolic thought... I am dealing with no focus or particular place to look. With no object, no image and...

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DRMWorld

DRMWorld

From SimCity, Electronic Arts, 2013 From The New Inquiry: SimCity, Electronic Arts’ online multiplayer reboot of the long-­running SimCity franchise, was supposed to be available for download and play on March 5, 2013. The download part mostly worked. The play part did not. The problems were wonderfully and excitingly...

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Daniel Bosch on William Pope.L

Daniel Bosch on William Pope.L

William Pope.L is famous for (among other things) carrying a business card that identifies him as “The Friendliest Black Artist in America.” It’s a clever gag because it makes itself true, in a way, every time it draws people closer. The card must be especially useful when Pope.L does...

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En Liang Khong: Full Bloom

The cross-dressing Qiu Jin was emblematic of a revolutionary feminist current at the end of the Qing era, writing urgently on women’s emancipation: “While...

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Vincent W.J. van Gerven Oei
Very Much Like a Whale by Vincent W.J. van Gerven Oei

They had obviously taken the pictures of the whale, and the group of people carrying it, out of curiosity. But still the images failed...

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Oscillation

We recognise oscillation to be the natural order of the world.

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Menachem Feuer: Body

While Sarah Silverman jokingly tells us that her Jewish identity has more to do with her body than with the “responsibilities and limitations” that...

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Jeremy Fernando: Pink

An offering that might well remain in its being offered.

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Rosie Clarke Chats to Amelia Gray

I get the impulse to look to the canon, but I think we should try and challenge and squash the canon, too.

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Mario Carpo: Voice, Words, Memory

It all started with cellphones, a long time ago. No student, and few teachers, would make voice calls from class, but in the early...

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Remembrance of Translations Past

Although Charles Kenneth Scott Moncrieff’s translation of À la recherche du temps perdu is considered by many journalists and writers to be the best...

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Colin Dickey: Time’s Resistless Stream

By now, we are all of us more or less apocalyptic. Our calendar is itself based on the apocalyptic return of Jesus Christ, counting...

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Mark Mordue: Curate. Content. Click.

Not that ‘the critic’ has ever been a greatly appreciated or understood figure. Some fat toad with a feather in his hat who thinks...

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Russell Bennetts
Street Fighter: Berfrois Interviews Tariq Ali

The extreme centre is a form of government that arose out of neoliberal economics and exists today in virtually the whole of Europe, North...

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John Crutchfield: Go West

Perhaps this is what finally draws me back to the Western. It is a fundamentally serious genre. It deals with serious questions, and it...

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Joel Gn on Henri Lefebvre

How may we speak of that which goes off the record in an age of digital colonisation?

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Volker M. Welter on Michael Graves

The designer Michael Graves, who passed away at the age of 80 on March 12th, was widely considered to be one of the founding...

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