Berfrois

Chris Moffat on Anand Patwardhan

Chris Moffat on Anand Patwardhan

Patwardhan both captures and manifests this wavering time of modern India: history exists in his films not as a static object for reflection, nostalgia or mourning, but as something which constantly returns, flashing up, animating politics and inflecting horizons of possibility in the present.

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Jesse Miksic: Fear and Pity and Horror

Jesse Miksic: Fear and Pity and Horror

Don’t Look Now, Casey Productions, 1973 by Jesse Miksic Look at me, my native citizens, as I go on my final journey, as I gaze upon the sunlight one last time, which I’ll never see again—for Hades, who brings all people to their final sleep, leads me on, while...

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A young girl’s strange, erotic journey…

A young girl’s strange, erotic journey…

Young and Beautiful (its English title is far more ungainly than the original) treats in a similar way nascent sexuality and literary awakening, which, once again, go hand in hand. 16-year-old Isabelle (Marine Vacth), takes to prostitution soon after losing her virginity through a holiday fling, but the film...

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How the Avant-Garde Still Lives in China by Rossella Ferrari

How the Avant-Garde Still Lives in China by Rossella Ferrari

Obituaries for the avant-garde proliferate. Critics, academics and cultural observers in the so-called Western world have told us for decades that the avant-garde has declined, fallen, imploded, capitulated and blunt its edge; that it has become creatively exhausted, ideologically reified, historically irrelevant. The avant-garde is past, gone, dead. But...

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David Joselit: Art and Plastic Info

David Joselit: Art and Plastic Info

We live in a world of Wikileaks and cyber-terrorism where information is wielded as both a weapon and a currency. Most recently, Edward Snowden, a former contractor for the American National Security Agency, leaked documents revealing that the United States tracks its citizens’ phone calls by compiling metadata records...

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Everybody (Bosch’s Back)

Everybody (Bosch’s Back)

“By a factor of three or four, over any remotely cost-similar approaches. The workers are so many, and they are tireless, and there is no portion of the structure they cannot reach. Plus their mandibles are so sharp and so precise, that there is almost no risk of damage...

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Joshua Oppenheimer’s Movie

Joshua Oppenheimer’s Movie

by Oliver Farry The Act of Killing, dir. Joshua Oppenheimer, Denmark/Norway/UK, 115 minutes Joshua Oppenheimer’s The Act of Killing has made ripples in the West not so much because it’s a good film (though there is much about it that is very good) but because the impunity it portrays...

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Jenny Diski’s Flame War

Jenny Diski’s Flame War

Mad Men, AMC by Jenny Diski In 1959, by pure accident, Roger O. Thornhill was mistaken for another man. Actually, he was taken for a man who did not and had never existed. Thornhill’s initials spell ROT, which is printed on his monogrammed matchbooks, and when asked what the...

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Imperial Fantasy VII

Imperial Fantasy VII

From FINAL FANTASY VII, Square, 1997 by Simon Ferrari and Ian Bogost Games of Empire: Global Capitalism and Video Games, by Nick Dyer-Witheford and Greig de Peuter, Minneapolis: University of Minnesota Press, 320pp. In Games of Empire, Nick Dyer-Witheford and Greig de Peuter expand an earlier study of “the...

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Grrrls, Grrrls, Grrrls

Grrrls, Grrrls, Grrrls

Juliana Hatfield. Photograph by Christian Kock From The New Inquiry: In the fall of 1991, a 24-year-old Juliana Hatfield had just broken up her college band, Blake Babies, a mainstay of Boston’s fertile indie rock scene, and finished recording her solo debut, Hey Babe, now many years out of...

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Bobbi Lurie: Mad, Mad, Mad, Mad Men

Bobbi Lurie: Mad, Mad, Mad, Mad Men

by Bobbi Lurie Dear Russell Bennetts, editor of Berfrois. After seeing the god-awful Season Six finale of Mad Men, I have decided to throw away my television set. Here is a tweet I posted immediately after watching it: Bobbi Lurie ‏@BobbiLurie n-n-n-nnooooooooo …. not the “redemption” thing ~ ~...

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W for Welles

W for Welles

Poster for F is For Fake, Specialty Films, 1975 From The New Yorker: When Welles came to Hollywood, in 1939, at the age of twenty-four, he was already famous for his radio work—not least for the great “War of the Worlds” hoax—and heralded as the next big thing without...

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Remembrance of Translations Past

Although Charles Kenneth Scott Moncrieff’s translation of À la recherche du temps perdu is considered by many journalists and writers to be the best...

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Vincent W.J. van Gerven Oei: LGBT Struggles in Albania

This morning I woke up to a rather surprising headline: "first gay marriage in Tirana." The article referred to the marriage ceremony recently held...

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Feroz Rather in Srinagar

Though the war was still going on, it was not a terribly sad time in my life; at least, I had the consolation of...

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Foucault’s Politics of Truth by Stuart Elden

The key figures are Cardinal Richelieu and Chancellor Séguier, and Foucault thinks it is important that he can discern the “first great deployment of...

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Menachem Feuer on Sarah Silverman and Lena Dunham

Elle called Silverman’s image of her wearing a shirt with several naked Lena Dunhams a “beautiful tribute.” Dunham, the article tells us, “seemed to...

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Mediamacro are very good at pretending…

A few weeks ago I was having dinner with David Cameron. Well, almost - we were at the same restaurant but on tables at...

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Tammy Ho Lai-Ming: One Little Room

A room with graffitied walls. Inside this room the dogs bark. A room cluttered with porcelain figurines. A room decorated with binary numbers.

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Jeremy Fernando
Jeremy Fernando on Tan Chui Mui

For, it is not as if films speak; nor are their filmmakers there—at the site where this alleged speaking to, speech, takes place —...

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David Beer
David Beer: Make Happy, Happy, Happy

As I read through William Davies’ engaging new book, I can’t help but wonder what Mad Men’s Don Draper would have made of John...

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Russell Bennetts: Coffee for 8 More

I might be the last person you should ask about St. Paul coffee in general. On an ordinary day I make do with drip...

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Emeline Edgewood
In X the Promise

X seems to want to be both the equivalent of The Giant and of Laura Palmer’s mother in Twin Peaks.

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Vincent W.J. van Gerven Oei: Municipal

Although there are also some independent candidates who may take a few votes here and there, the general opinion of the Tirana public and...

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En Liang Khong: Full Bloom

The cross-dressing Qiu Jin was emblematic of a revolutionary feminist current at the end of the Qing era, writing urgently on women’s emancipation: “While...

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Vincent W.J. van Gerven Oei
Very Much Like a Whale by Vincent W.J. van Gerven Oei

They had obviously taken the pictures of the whale, and the group of people carrying it, out of curiosity. But still the images failed...

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