Berfrois

Waiting, Waiting, Waiting

Waiting, Waiting, Waiting

Samuel Beckett’s classic play Waiting for Godot, written in the author’s own account as some sort of diversion from his serious work on the trilogy of novels, takes place in an unnamed land and at an unnamed time.

Read More

Bobbi Lurie: Mad, Mad, Mad, Mad Men

Bobbi Lurie: Mad, Mad, Mad, Mad Men

by Bobbi Lurie Dear Russell Bennetts, editor of Berfrois. After seeing the god-awful Season Six finale of Mad Men, I have decided to throw away my television set. Here is a tweet I posted immediately after watching it: Bobbi Lurie ‏@BobbiLurie n-n-n-nnooooooooo …. not the “redemption” thing ~ ~...

Read More

W for Welles

W for Welles

Poster for F is For Fake, Specialty Films, 1975 From The New Yorker: When Welles came to Hollywood, in 1939, at the age of twenty-four, he was already famous for his radio work—not least for the great “War of the Worlds” hoax—and heralded as the next big thing without...

Read More

Light First

Light First

“I am dealing with no object,” Turrell said in a lecture a few years after producing First Light. “I am dealing with no image, because I want to avoid associative, symbolic thought... I am dealing with no focus or particular place to look. With no object, no image and...

Read More

DRMWorld

DRMWorld

From SimCity, Electronic Arts, 2013 From The New Inquiry: SimCity, Electronic Arts’ online multiplayer reboot of the long-­running SimCity franchise, was supposed to be available for download and play on March 5, 2013. The download part mostly worked. The play part did not. The problems were wonderfully and excitingly...

Read More

Daniel Bosch on William Pope.L

Daniel Bosch on William Pope.L

William Pope.L is famous for (among other things) carrying a business card that identifies him as “The Friendliest Black Artist in America.” It’s a clever gag because it makes itself true, in a way, every time it draws people closer. The card must be especially useful when Pope.L does...

Read More

A Punk Controversy

A Punk Controversy

From music video “Big City Nights” for Da Funk, by Daft Punk, 1995. Directed by Spike Jonze by Enrique Lima It is nearly impossible for popular music to represent history. The historiographic imagination is beyond it, I think. Linearity, plot, and telos are too important to the telling of...

Read More

Whatever Fitz

Whatever Fitz

Baz Luhrmann adapts Fitzgerald and the result is pretty much as you might expect. There are no surprises here. You have a continual sense that you have seen this film before. That is largely because you have – if, that is, you happened to chance upon any of Luhrmann’s...

Read More

Press the Pedal Again

Press the Pedal Again

Piper, Eduard Bersudsky, 2013 From Aeon: You press the pedal at the base of Eduard Bersudsky’s sculpture Piper (2013). The shadow on the wall moves, the cogs begin to hum, the little bell rings, and the pair of gendered fauns flex their legs to activate the dog typist at...

Read More

Jesse Miksic in Columbia

Jesse Miksic in Columbia

One of the strengths of BioShock Infinite, acknowledged less often than its expansive and detailed historical-revisionist steampunk setting, is the way its narrative is punctuated. The extended forays down cobblestone streets – and the intermittent murderous rampages – are connective tissue, linking a series of scenes that are genuinely,...

Read More

Robyn Ferrell: Open to the Sacred

Robyn Ferrell: Open to the Sacred

Mackerel sky over Balgo in the remote north west of Western Australia by Robyn Ferrell I go with a friend Jennifer to the exhibition ‘Genius of Place’ at the Museum of Contemporary Art in Sydney. Kathleen Petyarre’s canvasses are ravishing, and enormous. Their rhythmic repetition is arresting, and we...

Read More

128X

128X

The chance entrance to the city before it disappeared. Thoughts hanging like bodies from ropes. The image seems to have been taken from inside a moving car, but this is staged. The windshield wipers are props. The highway is front-projection.

Read More

Elias Tezapsidis gives the new The Knife album 889/1000

Elias Tezapsidis gives the new The Knife album 889/1000

The Knife definitely employs the shock-value of an incestuous theme to further strengthen their mission in creating powerful work. The music duo is comprised of Swedish siblings Olof Dreijer and Karin Dreijer Andersson. They produce and release their music through their own label, Rabid Records, and therefore are in...

Read More

‘This is about joy’

‘This is about joy’

From Guernica: The Lost & Found project at CUNY’s Center for the Humanities, essential to the revival of the lost novel, has brought thoughtful attention to resurrecting lost prose, journals, and correspondence from a range of twentieth-century writers. Since 2010, its annual series of chapbooks has spotlighted the pamphlet-length...

Read More

What’s a dwarf fortress then?

What’s a dwarf fortress then?

SimCity, Maxis, 1989 From The New Yorker: The great lesson of SimCity, the fact the game was built to display, is the delight of city life, of urbanity in general. Even failing cities are beautiful in SimCity. Their streets are straight and well kempt, their deserted building zones are...

Read More

Dylan J. Montanari on Michael Fried

Dylan J. Montanari on Michael Fried

Readers of contemporary art criticism may have come across the following story about Michael Fried. Fellow critic Rosalind Krauss was with Fried at a show in the early 1960s when someone confronted him about a Frank Stella painting. “What’s so good about that?” the challenger asked. According to Krauss,...

Read More

Often, standing in front of paintings Jenny Diski wonders what it is she is supposed to be feeling…

Often, standing in front of paintings Jenny Diski wonders what it is she is supposed to be feeling…

From Midnight in Paris, Sony Pictures Classics, 2011 by Jenny Diski There is a picture in the Fitzwilliam Museum in Cambridge, where I live, called The Annunciation. I keep a postcard of it in my writing room, and visit the actual painting from time to time. A winged and...

Read More
Jerry Moore: Feverish Rivers

I learned that Gerardo Reichel-Dolmatoff had been a Nazi when I was in a Santa Marta supermarket. I had just stepped into the Exito...

Read More
Lauren Berlant
Lauren Berlant flies

Most of the writing we do is actually a performance of stuckness. It is a record of where we got stuck on a question...

Read More
Robyn Ferrell on Balthus

The pitfalls of identification, hero-worship, envy and malice can beset the most patient writer in the throes of five hundred-plus pages of attention to...

Read More
Michael Munro on Spinoza

Immanence is not philosophy, nor philosophy immanence. But there is in the passage from one to the other a modification of sense that is...

Read More
David Beer
David Beer: Broadcastwerk

Writing at sometime around 1930 or 1931, Walter Benjamin suggested that the voice on the radio is a like a visitor in the home,...

Read More
Rose Barnsley: Young, Gifted and Žižekian

At nineteen, it is easy to think that all you're missing is the right movement. But there is something about the young left wing...

Read More
Vincent W.J. van Gerven Oei: Rama’s And

While local journalists were once again busy regurgitating worn-down, coma inducing positions about yet another spectral appearance of Enver Hoxha at the celebration of...

Read More
Playing the Percentages: Berfrois Interviews Danny Dorling

The portrait of the 1% in your book is one of sociopathic, power-hungry narcissists with a striking lack of empathy. This may seem antagonistic,...

Read More
Joseph Spece
Joseph Spece: When Gamers Attack

Like many ugly controversies, the beginnings of #gamergate are linked to the end of love — well, the end of a relationship, at least....

Read More
Lauren Berlant performs by clicking

Today I introduced Facebook to someone older than me and had a long conversation about what the point of networking amongst “friends” is. The...

Read More
Tinder Times by Bibi Deitz

I am in bed with a man. He has to go home. He is not staying the night. So he pulls out his iPhone...

Read More
Jenny Diski keeps up

Some things are best met with silence. If I were to proceed with this month’s column in an honest way, it would be a...

Read More
From Fashion by Tracy O’Neill

The man who brought us a disembodied protagonist alluringly voiced by Scarlett Johansson has now issued a drama — starring apparel. Recently, Opening Ceremony...

Read More
Philippe Theophanidis on Jean-Luc Godard

At one point near the end of his unfinished novel Jean Santeuil, Marcel Proust describes a painting by Claude Monet from 1897, titled “Bras...

Read More