Berfrois

Robyn Ferrell: Freedom’s Formula

Robyn Ferrell: Freedom’s Formula

‘The Future is Here – it is just not evenly distributed’ was the catch phrase for the Sydney Biennale, which closed this month. But the experience on offer forecasted an uneven future for a widely distributed art product.

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70-Minute Mark by Nicholas Rombes et al.

70-Minute Mark by Nicholas Rombes et al.

The different tools used to capture the frame and the wild variety in terms of image quality, which is the way films are remembered anyway, not always as pristine HD, but sometimes smudged and tangled up with our variances of mood. In The Pleasure of the Text, Roland Barthes...

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Enchanting All

Enchanting All

The Weird Sisters, Henry Fuseli, 1783 From The Threepenny Review: The haggard sisters’ brew in Macbeth would have remained a ghastly soup had they not chanted over it, and made “the charm firm and good” with their tripping rhyming curses. Spells can be cast by various means, foul and...

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The Stand by Legacy Russell

The Stand by Legacy Russell

In this final apology, the figure of the wife is removed from the frame entirely. With Abedin absent and therefore invisible, Congressman Weiner takes on a sort of ventriloquism, speaking on the behalf of his partner. Here, Weiner assumes the role of both husband and wife, performing his own...

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Is Kate Bush a Rosicrucian?

Is Kate Bush a Rosicrucian?

From The London Review of Books: We know all the essential passport application stuff about Bush, and down the years she’s dutifully done the odd unrevealingly bland Q&A, but there’s an immense amount we don’t know. Has she ever taken psychedelic drugs? Has she had therapy? (Reichian, Jungian, marriage?)...

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Logan K. Young on The Replacements

Logan K. Young on The Replacements

I, myself, was barely six months old when Twin/Tone put out The Mats’ Let It Be. The day, they say, was Orwellian: Tuesday, October 2, 1984.

Naturally, I recall nothing of it.

Growing up, simple arithmetic holds I was 20 when Colin Meloy’s book about Let It Be was released by...

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Bobbi Lurie With Marcel Duchamp

Bobbi Lurie With Marcel Duchamp

Marcel Duchamp sat silent. He seemed far away, lost in reverie. Then, he spoke of the death of art, which he described as “posterity, meaning art history.”

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Happy Couples

Happy Couples

Dan Gluibizzi, Untitled (watercolor, 30 x 22, 2010) by Daniel Bosch Twenty-three brunettes, 10 puffs of pubic hair, nine pairs of panties, two t-shirts, two socks, one tank-top, one bra, one bottle, and one bowling ball—though I suppose it could be a basketball, a medicine ball, or a soccer...

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Is The Wolf of Wall Street ironic?

Is The Wolf of Wall Street ironic?

Via From London Review of Books: Asked for his response to those critics who saw in The Wolf of Wall Street an undiluted celebration of the bad life – drugs, sex, money, jewels, a very large yacht and expensive suits – Leonardo DiCaprio said: ‘If they don’t get the...

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Emma Goldman on drama

Emma Goldman on drama

So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations.

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A Hot Mess Strategy by Eli S. Evans

A Hot Mess Strategy by Eli S. Evans

Almost from the start, Miley could hardly have made it clearer that she was not hysterical – that this was not a mental breakdown but instead a rather virtuosic performance of just the sort of mental breakdown made popular by people like her pop predecessor and purported idol, Britney...

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Robyn Ferrell: Evaded Commodification is Passé

Robyn Ferrell: Evaded Commodification is Passé

Some classics re-emerged. Baldessari re-interpreted his 1977 video event of ‘Six Colourful Inside Jobs’ that paid homage to a legendary art origin in Sol Le Witt’s work by paying painters to repaint the room continuously in a changing palette of colours. In the Abramovic room, her 1997 classic performance...

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Daniel Bosch: High

Daniel Bosch: High

Against a black background, part of the face of a fair-skinned woman. The tone and texture of her skin. The curve of her lips. Especially the black of her eyes — as if we could look through her. All these exceed not only what we expect to see when...

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