Performance provides an alternative perspective to modern slavery…

So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations.

Piper, Eduard Bersudsky, 2013 From Aeon: You press the pedal at the base of Eduard Bersudsky’s sculpture Piper (2013). The shadow on the wall moves, the cogs begin to hum, the little bell rings, and the pair of gendered fauns flex their legs to activate the dog typist at...

Falstaff with Great Wine Jug and Mug, Eduard von Grützner, 1896 From Lapham’s Quarterly: On a June day in 1598, at about three o’clock in the afternoon, nearly three thousand patrons file into The Curtain, a London playhouse on the outskirts of the city, along the Shoreditch road. They...

Early vaudeville photo from the collection of Bob Bragman, as featured in the San Francisco Chronicle by Peggy Nelson Short attention span theater is hardly the new kid on the block. In the vaudeville era, an act was viable if it could manage to keep the audience’s attention for...

The Revenger’s Tragedy, Royal Shakespeare Company, Pitlochry Festival Theatre 1965 production. by Attila Kiss “What brother, am I far enough from myself?” (The Revenger’s Tragedy, Vindice, 1.3.1) The persistent employment of excessive violence on the early modern English stage was studied by Renaissance scholarship for centuries in diverse...