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	<title>berfrois &#187; Literature</title>
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	<link>http://www.berfrois.com</link>
	<description>Intellectual Jousting in the Republic of Letters</description>
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		<title>Snapshot</title>
		<link>http://www.berfrois.com/2013/05/snapshot/</link>
		<comments>http://www.berfrois.com/2013/05/snapshot/#comments</comments>
		<pubDate>Mon, 20 May 2013 08:00:39 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Poems]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=34605</guid>
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		<title>Patrick Bray on Michel Houellebecq</title>
		<link>http://www.berfrois.com/2013/05/patrick-bray-houellebecqs-19th-century-novel/</link>
		<comments>http://www.berfrois.com/2013/05/patrick-bray-houellebecqs-19th-century-novel/#comments</comments>
		<pubDate>Thu, 16 May 2013 08:00:04 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[19th Century]]></category>
		<category><![CDATA[French Literature]]></category>
		<category><![CDATA[Michel Houellebecq]]></category>
		<category><![CDATA[Patrick Bray]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=34481</guid>
		<description><![CDATA[by Patrick Bray The Map and the Territory, by Michel Houellebecq, Vintage, 288 pp. When we read literature from the 19th century, we usually try to be vigilant in order not to project our contemporary ideas and obsessions onto the past for fear they might obscure the radical difference of another era. But what happens when we look at our ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Gulp!</title>
		<link>http://www.berfrois.com/2013/05/bitter-complaint-of-ungentle-reader-louise-imogen-guiney/</link>
		<comments>http://www.berfrois.com/2013/05/bitter-complaint-of-ungentle-reader-louise-imogen-guiney/#comments</comments>
		<pubDate>Tue, 14 May 2013 08:01:14 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Louise Imogen Guiney]]></category>
		<category><![CDATA[Reading]]></category>
		<category><![CDATA[Writers]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=34451</guid>
		<description><![CDATA[From cover of The Studio Almanac, illustrated by J. Walter West, 1897 by Louise Imogen Guiney An editor, a person of authority and supposed discretion, requested a friend of mine, the other day, to write an essay with this weird title: “How to Read a Book of Poems so as to Get the Most Good out of It.” My friend, ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dukes of Thunder</title>
		<link>http://www.berfrois.com/2013/05/dukes-of-thunder/</link>
		<comments>http://www.berfrois.com/2013/05/dukes-of-thunder/#comments</comments>
		<pubDate>Sat, 11 May 2013 10:02:25 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[Speculative fiction]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=34427</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>LIFT</title>
		<link>http://www.berfrois.com/2013/05/lift/</link>
		<comments>http://www.berfrois.com/2013/05/lift/#comments</comments>
		<pubDate>Tue, 07 May 2013 08:01:38 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Oulipo]]></category>
		<category><![CDATA[Poems]]></category>
		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=34328</guid>
		<description><![CDATA[by Stuart Moulthrop Since this is a paper about the computational context of literary writing, and to some extent poetry, I have invested heavily in metaphor, at least as far as the title is concerned. Taking key terms in no particular order: by end I mean not so much terminus as singularity or convergence of opposites, that defining, indefinable point ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The use of criticism is to sift, not to stamp&#8230;</title>
		<link>http://www.berfrois.com/2013/05/short-essay-on-critics-margaret-fuller/</link>
		<comments>http://www.berfrois.com/2013/05/short-essay-on-critics-margaret-fuller/#comments</comments>
		<pubDate>Mon, 06 May 2013 08:00:18 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Critics]]></category>
		<category><![CDATA[Margaret Fuller]]></category>
		<category><![CDATA[Women]]></category>
		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=34321</guid>
		<description><![CDATA[Margaret Fuller by Margaret Fuller If an essay on Criticism were a serious matter; for, though this age be emphatically critical, the writer would still find it necessary to investigate the laws of criticism as a science, to settle its conditions as an art. Essays, entitled critical, are epistles addressed to the public, through which the mind of the recluse ]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Everything you need to know about love can be found in a canoe&#8230;</title>
		<link>http://www.berfrois.com/2013/05/everything-you-need-to-know-about-love-can-be-found-in-a-canoe/</link>
		<comments>http://www.berfrois.com/2013/05/everything-you-need-to-know-about-love-can-be-found-in-a-canoe/#comments</comments>
		<pubDate>Sat, 04 May 2013 12:00:05 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Jennifer Sinor]]></category>
		<category><![CDATA[Poems]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=34315</guid>
		<description><![CDATA[From Ascent: Maybe the reason Michael recites poetry whenever we are in the natural world, rather than, say, when doing the dishes or taking out the trash, is to attempt to narrate, to hold within the bounds of language, a kind of beauty, joy, fear that we will never completely understand. Much like love itself. Lines of poetry, image and ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>‘Translation, adaptation, citation, comparison, re-creation’</title>
		<link>http://www.berfrois.com/2013/05/%e2%80%98translation-adaptation-citation-comparison-re-creation%e2%80%99/</link>
		<comments>http://www.berfrois.com/2013/05/%e2%80%98translation-adaptation-citation-comparison-re-creation%e2%80%99/#comments</comments>
		<pubDate>Thu, 02 May 2013 08:01:37 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Poems]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=34204</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Rowling Is Harry</title>
		<link>http://www.berfrois.com/2013/05/rowling-is-harry/</link>
		<comments>http://www.berfrois.com/2013/05/rowling-is-harry/#comments</comments>
		<pubDate>Thu, 02 May 2013 08:00:33 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Harry Potter]]></category>
		<category><![CDATA[Writers]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=34203</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>D&amp;D</title>
		<link>http://www.berfrois.com/2013/04/dd/</link>
		<comments>http://www.berfrois.com/2013/04/dd/#comments</comments>
		<pubDate>Sat, 20 Apr 2013 08:00:48 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Dickens]]></category>
		<category><![CDATA[Dostoevsky]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Writers]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33866</guid>
		<description><![CDATA[L-R: Fyodor Dostoevsky and Charles Dickens From The Times Literary Supplement: Late in 2011, Michiko Kakutani opened her New York Times review of Claire Tomalin’s biography of Charles Dickens with “a remarkable account” she had found in its pages. In London for a few days in 1862, Fyodor Dostoevsky had dropped in on Dickens’s editorial offices and found the writer ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Swigswag</title>
		<link>http://www.berfrois.com/2013/04/a-swigswag/</link>
		<comments>http://www.berfrois.com/2013/04/a-swigswag/#comments</comments>
		<pubDate>Mon, 15 Apr 2013 08:00:06 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Henry James]]></category>
		<category><![CDATA[James Joyce]]></category>
		<category><![CDATA[Joe Linker]]></category>
		<category><![CDATA[Memoir]]></category>
		<category><![CDATA[Storytelling]]></category>
		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33709</guid>
		<description><![CDATA[by Joe Linker “The idea that everyone has a story to tell (which underlies the notion that anyone can write since all a writer needs is a story) is strictly correct,” Jenny Diski said, writing in the London Review of Books (7 Mar, 21) about Marco Roth’s memoir, The Scientists: A Family Romance. Well, Henry James thought so, anyway. Continued ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Impressions are the very air we breathe&#8230;</title>
		<link>http://www.berfrois.com/2013/04/impressions-are-the-very-air-we-breathe/</link>
		<comments>http://www.berfrois.com/2013/04/impressions-are-the-very-air-we-breathe/#comments</comments>
		<pubDate>Sat, 13 Apr 2013 08:00:32 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Henry James]]></category>
		<category><![CDATA[Walter Besant]]></category>
		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33698</guid>
		<description><![CDATA[Piles of French Novels and Roses in a Glass, Vincent van Gogh, c.1887 by Henry James I should not have affixed so comprehensive a title to these few remarks, necessarily wanting in any completeness, upon a subject the full consideration of which would carry us far, did I not seem to discover a pretext for my temerity in the interesting ]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>‘As a child, books were a magical distraction from my anxiety’</title>
		<link>http://www.berfrois.com/2013/04/%e2%80%98as-a-child-books-were-a-magical-distraction-from-my-anxiety%e2%80%99/</link>
		<comments>http://www.berfrois.com/2013/04/%e2%80%98as-a-child-books-were-a-magical-distraction-from-my-anxiety%e2%80%99/#comments</comments>
		<pubDate>Wed, 10 Apr 2013 10:02:37 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Childhood]]></category>
		<category><![CDATA[Education]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33594</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>What was the first great American novel?</title>
		<link>http://www.berfrois.com/2013/04/what-was-the-first-great-american-novel/</link>
		<comments>http://www.berfrois.com/2013/04/what-was-the-first-great-american-novel/#comments</comments>
		<pubDate>Wed, 10 Apr 2013 10:01:35 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[The Novel]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33593</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Is it hot, hot, hot in Hell?</title>
		<link>http://www.berfrois.com/2013/04/is-it-hot-hot-hot-in-hell/</link>
		<comments>http://www.berfrois.com/2013/04/is-it-hot-hot-hot-in-hell/#comments</comments>
		<pubDate>Sat, 06 Apr 2013 10:00:19 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Hell]]></category>
		<category><![CDATA[Herman Melville]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33585</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>‘Superstition is the poetry of life’</title>
		<link>http://www.berfrois.com/2013/04/superstition-and-poetry-goethe/</link>
		<comments>http://www.berfrois.com/2013/04/superstition-and-poetry-goethe/#comments</comments>
		<pubDate>Fri, 05 Apr 2013 10:00:23 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Goethe]]></category>
		<category><![CDATA[Poems]]></category>
		<category><![CDATA[Superstition]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33563</guid>
		<description><![CDATA[Black Cat, Onchi Kochiro, 1952  by Johann Wolfgang von Goethe‏ Superstition is the poetry of life; both build an imaginary world, and between the things of the actual, palpable world they anticipate the most marvelous connections. Sympathy and antipathy govern everywhere. Poetry is ever freeing itself from such fetters as it arbitrarily imposes upon itself; superstition, on the contrary, can be ]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Loss and Death</title>
		<link>http://www.berfrois.com/2013/04/loss-and-death/</link>
		<comments>http://www.berfrois.com/2013/04/loss-and-death/#comments</comments>
		<pubDate>Wed, 03 Apr 2013 10:01:45 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Russia]]></category>
		<category><![CDATA[Russian Revolution]]></category>
		<category><![CDATA[Vladimir Nabokov]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33536</guid>
		<description><![CDATA[Vladimir Nabokov From The New York Times: The Russian Revolution upended the lives of Vladimir Nabokov and his family. Leaving behind an aristocratic world of colossal wealth and privilege (a world about which he could speak of “the smallest and oldest of our gardeners”), Nabokov would become an exile in Berlin, where he supported himself as a tutor, teaching French, ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>From ‘Be Here Now’ to ‘Be Somewhere Else Now’</title>
		<link>http://www.berfrois.com/2013/03/from-%e2%80%98be-here-now%e2%80%99-to-%e2%80%98be-somewhere-else-now%e2%80%99/</link>
		<comments>http://www.berfrois.com/2013/03/from-%e2%80%98be-here-now%e2%80%99-to-%e2%80%98be-somewhere-else-now%e2%80%99/#comments</comments>
		<pubDate>Sat, 30 Mar 2013 08:00:04 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Lawrence Ferlinghetti]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33513</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Wallace found refuge in an irony-free zone&#8230;</title>
		<link>http://www.berfrois.com/2013/03/wallace-found-refuge-in-an-irony-free-zone/</link>
		<comments>http://www.berfrois.com/2013/03/wallace-found-refuge-in-an-irony-free-zone/#comments</comments>
		<pubDate>Fri, 29 Mar 2013 08:01:09 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[David Foster Wallace]]></category>
		<category><![CDATA[Writers]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33509</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Lateness</title>
		<link>http://www.berfrois.com/2013/03/lateness/</link>
		<comments>http://www.berfrois.com/2013/03/lateness/#comments</comments>
		<pubDate>Thu, 28 Mar 2013 08:01:55 +0000</pubDate>
		<dc:creator>editor-5</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Main article]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[European Literature]]></category>
		<category><![CDATA[Postmodernism]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">http://www.berfrois.com/?p=33497</guid>
		<description><![CDATA[The Farm Animals, Marcel Broodthaers, 1974 by Anders Pettersson Reconsidering the Postmodern: European Literature beyond Relativism, edited by Thomas Vaessens and Yra van Dijk, Amsterdam University Press, 322 pp. Through this collection of articles, Thomas Vaessens and Yra van Dijk attempt to gauge the current state of postmodern literature in Europe. Besides an important introduction by the editors, which I ]]></description>
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