Berfrois

2014 Poetry Prize

2014 Poetry Prize

Between midnight on November 30, 2014 and 11:59:59 pm GMT on Sunday December 31, 2014, poets may submit to Berfrois, using its online submission manager, a single, original, poem in English which is not a translation, but may be in any mode or form, up to 300 lines.

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18/14

18/14

“Seferis, Seferis. Do we have him? Is he one of ours?” (eínai se mas) shouts the clerk to a colleague sipping a frappé at a desk across the room. Fani Papageorgiou and I are negotiating the labyrinthine bureaucracy of death at some lesser Ministry of the Underworld.

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Imagine Your Audience

Imagine Your Audience

Le corps de ma brune puisque je l’aime comme ma chatte habillée en vert salade comme de la grêle c’est pareil, Joan Miró, 1925 From Poetry: I may not know what reviews are for, but I know who they are for: their readers. And it behooves reviewers to keep...

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For. Us.

For. Us.

by Vincent W.J. van Gerven Oei It is not my intention to offer the following notes pertaining to one part of the series Narration d’équilibre , written by the poet, translator, photographer, encyclopedist, and radio maker Jean Daive (1941), as a meticulous overview of the different themes,...

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The Spirit of Grimalkin

The Spirit of Grimalkin

Cat and Butterfly, Hokusai, Edo period, From Poetry:  Cats can be cruel and stingy and aloof (although most cats are far less aloof than has generally been supposed). And all of them are half insane. But I have never been disappointed or bored or, aside from several scratches and...

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‘Now as to magic’

‘Now as to magic’

“Dr Faustus in the Magic Circle”, from The Damnable Life and Deserved Death of Doctor John Faustus, P.F. Gent, 1969 From Lapham’s Quarterly: If the paramount project of W. B. Yeats’ professional life was the perfection of the art of poetry, it was intertwined with a personal preoccupation, the...

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‘Why would I be allowed to steal from myself and not from others?’

‘Why would I be allowed to steal from myself and not from others?’

Plate 37 from Jerusalem, William Blake, 1804-1820 by Jeroen Mettes Translated by Vincent W.J. van Gerven Oei from Jeroen Mettes. “Politieke Poëzie: Enige aantekeningen, Poëtica bij N30 (versie 2006).” In Weerstandbeleid: Nieuwe kritiek. Amsterdam: De wereldbibliotheek, 2011. Published with permission of Uitgeverij Wereldbibliotheek, Amsterdam. L’égalité veut d’autres lois. —Eugène...

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Jamie Olson on Gennady Aygi

Jamie Olson on Gennady Aygi

Even though Gennady Aygi, who passed away six years ago, began writing poetry as a student in Moscow back in the 1950s, it was only in the early 1990s that his first major book collection appeared in Russia. What accounts for the time lag? On the one hand, it...

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“Double Quotations”

“Double Quotations”

by Feliz Molina A word about the quotation marks. People ask about them, in the beginning; in the process of giving themselves up to reading the poem, they become comfortable with them, without necessarily thinking precisely about why they’re there. But they’re there, mostly to measure the poem. The...

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Not Flowers

Not Flowers

Marianne Moore throwing a pitch, 1968 From Poetry: She has no heirs. She has several epigones but their detail-laden lacquered ships for me don’t float. She flares singular, exemplary, a diamond absolute the American East forged in a pressure chamber we have yet fully to excavate. It is said...

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With Hand

With Hand

What makes sex so interesting to write and read about is not the two or three lines, paragraphs, or pages of coitus, but what comes directly before, after, and in between them.

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Maryann Corbett on Thomas Lynch

Maryann Corbett on Thomas Lynch

A reviewer once described the writer Thomas Lynch as a cross between Garrison Keillor and William Butler Yeats. I’ll say more later about the Yeats genes in this hybrid cross. But the comparison with Keillor is apt: both men are big, bearded, jowly and affable in performance.

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Poetry can restore our sight…

Poetry can restore our sight…

Protesters chanting against SCAF in Tahrir Square, November 2011. Photograph by Hossam el-Hamalawy. by Yahia Lababidi It is difficult to get the news from poems, yet men die miserably every day for lack of what is found there. - William Carlos Williams Physical distance is difficult because of the helplessness...

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Neil Besner: Where Rivers Meet

Neil Besner: Where Rivers Meet

What is a map, and which maps are memory’s or imagination’s to invoke, and then how? What lies in the incantatory power of names, or in the pull North or South, West or East? What is time, what is memory, and what’s imagined about these plain facts here, or...

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Larkin Wrote Poems

Larkin Wrote Poems

Philip Larkin From Humanities: Philip Larkin started writing poems in 1938 when he was fifteen or sixteen and very nearly stopped about ten years before he died at sixty-three. His reputation, during his lifetime, was based almost entirely on three collections published at intervals of  approximately ten years: The...

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Nicholas Rombes: Flowers Cover Everything

Nicholas Rombes: Flowers Cover Everything

by Nicholas Rombes 1. My life, in those days, was to be defined by three female poets: Dana Levin, Olena Kalytiak Davis, and Brigit Pegeen Kelly. Where lies the fault in that? Could I be blamed for seeing darkness in everything? Or for feeling, at some point of no...

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Albert Rolls: Which (Side) Are You On, Man?

James Parker begins his review of Inherent Vice with the quip, “If Thomas Pynchon were a stand-up comedian, and Inherent Vice his newest routine,...

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Keith Doubt
Keith Doubt on Serbia

The intellectual integrity of cultural anthropology is based largely on its commitment to cultural relativism as a principled notion. Cultural relativism is the principle...

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A Gosse in Woolf’s Clothing by Andre Gerard

On May 31, two weeks after his death, and the day before Orlando was sent to the printer, Woolf noted his death as follows:...

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Andrew Gallix: Let’s Go!

Retro-futurism, as we now call it, came out of the closet in the late '70s due to the widespread feeling that there was indeed...

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I Know I Have to Go by Rick Whitaker

W.G. Sebald’s father joined the Reichswehr in 1929 and remained in the Wehrmacht under the Nazis. He was captured by the French and remained...

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B. Alexandra Szerlip: Vertigo

Vertigo has been scrutinized under the rubric of scopophilia, fetishism, voyeurism, the sadistic male gaze, objectification of the female body, “a dream substrate of...

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Bobbi Lurie With Marcel Duchamp

Marcel Duchamp sat silent. He seemed far away, lost in reverie. Then, he spoke of the death of art, which he described as...

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Bobbi Lurie
Bobbi Lurie and Marcel Duchamp on Lena Dunham’s Girls

But I was perplexed. Marcel Duchamp didn’t order a thing to eat at the café. I assumed it was because he was dead, requiring nothing...

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Europe’s Fascists in Suits by John Gaffney

Earthquake metaphors have had strong currency, both political and journalistic, in the aftermath of May’s European Parliament (EP) elections. The most spectacular tremors were...

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Lauren Berlant’s Love Theory

Both Derrida and Ronell suggest that saying yes is “telephonic,” both in the sense that it resounds over a distance and therefore always is...

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B. Alexandra Szerlip: Dream Train

Unless they lived in Texas, New Mexico, Arizona or California – all former Mexican territories – most U.S. residents in the 1930s were unaware...

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70-Minute Mark by Nicholas Rombes et al.

The different tools used to capture the frame and the wild variety in terms of image quality, which is the way films are remembered...

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You may say Rauan Klassnik’s a dreamer…

“We’ve got a problem,” says Andrew Shuta of Spork as he and Drew Burk guide me into a fancy conference room. Ron’s sitting across from...

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David Palumbo-Liu on Chinua Achebe

Many years ago, in an interview he did with Bill Moyers, Chinua Achebe was asked, “What would you want the West to do?” Achebe...

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