Saturday, April 19, 2014

Theme: Art

  • A selection of visual art by j/j hastain.Read more
  • Marcel Duchamp sat silent. He seemed far away, lost in reverie. Then, he spoke of the death of art, which he described as “posterity, meaning art history.” He said “history” means death and so anything which is recorded permanently as a part of history is dead.” I thought of the internet. I made a note on my sheet of possible questions: the internet kills art by turning everything into a permanent record.Read more
  • Twenty-three brunettes, 10 puffs of pubic hair, nine pairs of panties, two t-shirts, two socks, one tank-top, one bra, one bottle, and one bowling ball—though I suppose it could be a basketball, a medicine ball, or a soccer ball. Twenty legs amputated by the edges of absent frames. Four pairs of legs spread wide open (one of these ass-to-us).Read more
  • Some classics re-emerged. Baldessari re-interpreted his 1977 video event of ‘Six Colourful Inside Jobs’ that paid homage to a legendary art origin in Sol Le Witt’s work by paying painters to repaint the room continuously in a changing palette of colours. In the Abramovic room, her 1997 classic performance ‘Luminosity’, of a nude woman poised on a bicycle seat, was restaged using a roster of paid performers.Read more
  • While China prepared for the 2008 Olympics, the artist Ai Weiwei was busy collaborating with the Swiss architectural firm, Herzog & de Meuron, on the Bird’s Nest stadium. Gradually, Ai began to experience a deep sense of disgust: “I was so involved in architecture that it opened my eyes to society, dealing with bureaucracy, policies and workers,” Ai observes, “and then you start to realise why they are building, and how they are using it. It is a very political act.”Read more
  • A performative intimacy between Legacy Russell & Clifford OwensRead more
  • Saturday afternoon, I took the train from Astoria to Prince Street. Navigating East, through the brick wall to brick wall Soho throng, I crossed that little cement slab of park that bisects the Lower East Side to Rivington Street, past the haunted (still exotic) dereliction of the Rivington Street Synagogue.Read more
  • The art of biography, we say — but at once go on to ask, is biography an art? The question is foolish perhaps, and ungenerous certainly, considering the keen pleasure that biographers have given us. But the question asks itself so often that there must be something behind it. There it is, whenever a new biography is opened, casting its shadow on the page; and there would seem to be something deadly in that shadow, for after all, of the multitude of lives that are written, how few survive!Read more
  • A selection of Banksy's work in New YorkRead more
  • Cory Arcangel's video 'Self Playing Nintendo 64 NBA Courtside 2'Read more
  • The term avant-garde simultaneously conjures images of renegade individuals and cooperative groups. As an adjective, it usually designates something experimental and ground-breaking, often describing the work of a singular, exceptional mind; while as a noun it refers to a zealous association, formed around a set of innovative ideas and techniques.Read more
  • Although the myth of Pygmalion is well known, let us recall the principal elements of Ovid's account: Pygmalion, who had never fallen in love with a woman, succeeded in sculpting "in snow-white ivory" the statue of a woman more beautiful than nature had ever made.[1] Amazed by the almost corporeal beauty, Pygmalion fell in love with her, so much that he caressed her, held her in his arms, and covered her with kisses. Venus then granted that the "ivory virgin" be transformed into a real virgin, whom he made his spouse.Read more
  • Obituaries for the avant-garde proliferate. Critics, academics and cultural observers in the so-called Western world have told us for decades that the avant-garde has declined, fallen, imploded, capitulated and blunt its edge; that it has become creatively exhausted, ideologically reified, historically irrelevant. The avant-garde is past, gone, dead. But not always, and not everywhere.Read more
  • We live in a world of Wikileaks and cyber-terrorism where information is wielded as both a weapon and a currency. Most recently, Edward Snowden, a former contractor for the American National Security Agency, leaked documents revealing that the United States tracks its citizens’ phone calls by compiling metadata records such as phone number and length of call. It should come as no surprise that governments follow the lead of Walmart, Amazon and Google in exploiting Big Data. Read more
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