Theme: Writing

Since this is a paper about the computational context of literary writing, and to some extent poetry, I have invested heavily in metaphor, at least as far as the title is concerned. Taking key terms in no particular order: by end I mean not so much terminus as singularity or convergence of opposites, that defining, indefinable point where turn becomes return as one state gives way to another; from the imperative lift.Read more

If an essay on Criticism were a serious matter; for, though this age be emphatically critical, the writer would still find it necessary to investigate the laws of criticism as a science, to settle its conditions as an art. Essays, entitled critical, are epistles addressed to the public, through which the mind of the recluse relieves itself of its impressions. Read more

“The idea that everyone has a story to tell (which underlies the notion that anyone can write since all a writer needs is a story) is strictly correct,” Jenny Diski said, writing in the London Review of Books (7 Mar, 21) about Marco Roth’s memoir, The Scientists: A Family Romance. Well, Henry James thought so, anyway. Continued Diski, echoing James, “If you were born, you’re in there with a story.”Read more

I should not have affixed so comprehensive a title to these few remarks, necessarily wanting in any completeness, upon a subject the full consideration of which would carry us far, did I not seem to discover a pretext for my temerity in the interesting pamphlet lately published under this name by Mr. Walter Besant. Read more

In making any survey, even the freest and loosest, of modern fiction, it is difficult not to take it for granted that the modern practice of the art is somehow an improvement upon the old. With their simple tools and primitive materials, it might be said, Fielding did well and Jane Austen even better, but compare their opportunities with ours!Read more

I began by anatomical investigations on a dead Mallard which I found washed up on the beach, lovingly stripping off each layer of muscle, boiling up and reassembling the skeleton. Then, everything was drawn; from several angles. There were several mishaps: like when I glued a small bone to my hand with Superglue and couldn’t get it off.Read more

Great men are more distinguished by range and extent than by originality. If we require the originality which consists in weaving, like a spider, their web from their own bowels; in finding clay, and making bricks, and building the house; no great men are original. Nor does valuable originality consist in unlikeness to other men.Read more

I've just finished a review of a recent monograph on a mediaeval Arabic scholar in which I noted a few translation and typographical errors, commended the philology involved, and gave a synopsis of the contents. So much, so unsurprising; this is the way my field works.Read more

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‘All pens are filled with potential’. So begins an advertisement in the Guardian newspaper for its ‘new idea’. The paper is offering weekend masterclasses in creative writing and publishing, taught by novelists (‘discover the novelist within’), historical fiction writers (‘Historical novels have been riding high in the best-seller lists of late.Read more

I may have mentioned already that I am in the beginning stages of a massively ambitious, multi-year project: I have been asked to write a very long, but not nearly long enough, book called A Global History of Philosophy, to 1750. The manuscript is due in 2017.Read more

“The important thing is not what we write,” Joyce tells Arthur Power in Conversations with James Joyce, “but how we write, and in my opinion the modern writer must be an adventurer above all, willing to take every risk, and be prepared to founder in his effort if need be. In other words we must write dangerously”Read more

The receptionist receives. Receives what? An education, a memoir. One purpose of a memoir, a narrative of memory, might be to raise eyebrows, for it’s a tool to talk back, to reflect not only on what was taken in but to evaluate and tell on the givers, the repellers, those who dismiss, to give back some sass. One may also be received, received into, into the club; but not in Janet Groth’s case. Read more

When Vargas Llosa was awarded the 2010 Nobel prize for literature, the Swedish Academy praised his "cartography of structures of power and his trenchant images of the individual's resistance, revolt, and defeat." That assessment could still apply to The Dream of the Celt as it applied also to his epic 1984 novel of a millenarian cult, The War of the End of the World. Read more

I have always lived in this neighborhood [Morningside Heights]. I’ve always had my own place, I don’t think I could do roommates. I moved to New York in 1987, and it was a lot easier back then.Read more

Good reporters go hunting for nouns. They want the odd verb too, but the main thing is the nouns, especially the proper ones, the who, what and where. The thing British schoolchildren call a ‘naming word’ was, for Hemingway, a chance to reveal what he knew, an opportunity to be experienced, to discriminate, and his style depends on engorged nouns, not absent adjectives.Read more

Writing strategy textbooks often move us quickly through the rhetorical modes before introducing argument, where we are invited to pick a topic of interest, something we’re passionate about, but then are asked to write a research paper, as opposed to a personal essay, presumably to distinguish between mere opinion and rigorous discourse, where claims are backed by reasoned evidence and assumptions are explained.Read more

As I write this in San Francisco, Jacques Jouet is at the Place Stalingrad in Paris, writing a serial novel in thirty-two parts. He has agreed to sit for eight hours a day inside a windowed tent at the southwestern tip of the Bassin de la Villette, typing away in 18-point Times while the text on his computer screen is projected onto a display nearby for anyone who cares to monitor his progress. Read more

Is the time spent reviewing other people's books more important than writing your own stuff, making your own contributions? One of my graduate-student friends has published a number of book reviews, the assignments often passed along by his adviser and other professors.Read more

Since when did being a writer become a career choice, with appropriate degree courses and pecking orders? Does this state of affairs make any difference to what gets written?Read more