Paul Signac (11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter.
Port of Saint-Cast, 1890
Golfe Juan, 1896
Venice, The Pink Cloud, 1909
The Port of Marseille, 1907
Notre-Dame-de-la-Garde (The Good Mother), Marseilles, 1905/6
Cassis, Cap Lombard, 1889
The Port at Sunset (Saint-Tropez), 1892
Both Derrida and Ronell suggest that saying yes is “telephonic,” both in the sense that it resounds over a distance and therefore always is affected by distortion and delay, and that the telephone as technological apparatus not so much adds to these inherent obstructions as it stands model for them.
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I don’t even care about secrecy, usually, because the scenario of exposing what’s unjustly censored has always seemed overdramatic to me, a distraction: all communication amounts to a defense.
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Today I ran without music. When I run this way my head boils out, matter shooting everywhere like water on hot oil. Phrases reach me and mostly move away before I can trap and extend them into actual thoughts.
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Today I introduced Facebook to someone older than me and had a long conversation about what the point of networking amongst “friends” is. The person was so skeptical because to her stranger and distance-shaped intimacies are diminished forms of real intimacy.
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Most of the writing we do is actually a performance of stuckness. It is a record of where we got stuck on a question for long enough to do some research and write out the whole knot until the original passion and curiosity that made us want to try to say something about something got so detailed.
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