Pavemania

The University of Southern California’s “Game Innovation Lab” recently made the press with its adaptation of Henry David Thoreau’s autobiographical work of philosophy, Walden.

From my boyish days I had always felt a great perplexity on one point in Macbeth. It was this: the knocking at the gate, which succeeds to the murder of Duncan.

In some ways, I feel I shouldn’t go there, so naturally I am drawn like a moth to the flame. I can’t get around race and identity politics, and I shouldn’t. But as deliciously pearly white as I am—and given that it’s ipso facto my “identity”—I have still never...

Mathias Blum writes in Akiva’s Garden that “No play in the Renaissance canon, no play in the English canon, no play in literature is as terrifying as The Tragedy of Dracule

In a cinema in Hackney, watching the first scene of La La Land, I witnessed a curious thing happen to the audience around me.

Did I ever imagine, during my anxious, closeted childhood, that I’d live long enough to see a movie like “Moonlight,” Barry Jenkins’s brilliant, achingly alive new work about black queerness?

Few exhibitions have been as anticipated as the current Francis Picabia retrospective at the Museum of Modern Art.

Page has been making annual trips to the Texas-Mexico borderlands since 2007, and one of her projects is walking along the river in search of objects people leave behind when they’re crossing.

by Steve Mentz Motion disorients bodies. When they are moved, bodies seek stable refuge—whether the bodies in question comprise shipwrecked sailors, strife-torn nations, dislocated asylum-seekers, or even confused students. Poetry offers a partial, not always effective, response to motion sickness. In disorienting times and places, we imagine refuge—while not averting...

Bowie in Los Angeles was a kind of mantic probe for young kids discovering the joy of sex, sexuality, art, artiness. He was going into areas that no one had really explored before.

Flourishing in the northern provinces, the Balkan False Narcissus (Crinum ponticum) stands out as one of Euxinova’s most notable bulbous perennials.

I think the main reason for my aversion to the theater is the cinema.