Berfrois

The insect flew into Van Gogh’s impasto of Olive Grove…

The insect flew into Van Gogh’s impasto of Olive Grove…

Theoretically the insect could have been been trapped in the olive grove or the artist’s studio...

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Captioning the Sitters by Volker M. Welter

Captioning the Sitters by Volker M. Welter

Judging by the crowd, of which I was part when recently visiting London’s National Portrait Gallery, the attraction of portrait painting is undiminished.

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Bosch’s imagination ranged from a place beyond the spheres of Heaven to the uttermost depths of Hell…

Bosch’s imagination ranged from a place beyond the spheres of Heaven to the uttermost depths of Hell…

There has never been a painter quite like Jheronimus van Aken, the Flemish master who signed his works as Jheronimus Bosch.

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Robyn Ferrell: Freedom’s Formula

Robyn Ferrell: Freedom’s Formula

‘The Future is Here – it is just not evenly distributed’ was the catch phrase for the Sydney Biennale, which closed this month. But the experience on offer forecasted an uneven future for a widely distributed art product.

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Austen Powers

Austen Powers

When I was working on my doctorate at Oxford, I lived in a large Victorian house with about 10 other students. My room was on the ground floor at the back; in the room above me lived a Canadian woman named Lenore—after the “rare and radiant maiden” in Poe’s...

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The milk seemed to taste of bone and blood’

The milk seemed to taste of bone and blood’

Todd Haynes’s film Carol (2015), an adaptation of crime grande dame Patricia Highsmith’s obscure 1952 lesbian romance, The Price of Salt, while sometimes exquisite, is the latest uneasy-making case in point.

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An Improvisational Jazz Symphony

An Improvisational Jazz Symphony

Fiston Mwanza Mujila was announced winner of the 2015 Etisalat Literature Prize at a grand ceremony in Lagos on March 19, 2016.

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Scott Anthony on Reframing Modernism

Scott Anthony on Reframing Modernism

The outcome of an attention-grabbing and likely expensive collaboration with the Pompidou Centre in Paris, Reframing Modernism is the new National Gallery of Singapore's first blockbuster exhibition.

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Teresa K. Miller and Gregory Giles Discuss Meat

Teresa K. Miller and Gregory Giles Discuss Meat

In a 60-page essay I wrote on the nature of a “morbid curiosity,” I struggled not only with the ethics of viewing actualities of death found on shock sites—usually, the premature deaths of non-white victims of car crashes, industrial accidents, drug cartel violence.

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Joseph Spece on Metroid

Joseph Spece on Metroid

This afternoon I’m nested in a striped comforter, looking out the window at four snowy oaks. In the foreground, the shrivelled leaves of the hydrangea, mostly buried in drifts. The television screen is static, paused on a scene in the game I honor before every other, Metroid.

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Destroyed Human Bodies

Destroyed Human Bodies

I will try to clarify, in eight points, why it is important—today—to look at images of destroyed human bodies like those I have used and integrated in different works.

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Seven, Eleven

Seven, Eleven

The established tale of mid-century abstract painting in this country relies on two parallel narratives, each originating from either side of Canada’s two solitudes. In Montreal, it was the story of the Automatistes, of Borduas and Riopelle, Barbeau and Françoise Sullivan.

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Nicholas Rombes on Andrzej Żuławski

Nicholas Rombes on Andrzej Żuławski

Andrzej Żuławski died on February 17 in Warsaw, Poland, less than 300-miles away from where he was born, in Lviv, in 1940.

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