Berfrois

Woolf’s Glimpses of Lawrence by Andre Gerard

Woolf’s Glimpses of Lawrence by Andre Gerard

Whether or not The Trespasser helped Woolf shape Night and Day, there may be glints of Lawrence’s novel in To the Lighthouse...

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Joe Linker on Elif Batuman’s The Idiot

Joe Linker on Elif Batuman’s The Idiot

A tale told by an idiot signifying nothing might benefit from Walter Mosley’s advice in “This Year You Write Your Novel” to avoid first person narration unless you have an enthralling character. Elif Batuman’s The Idiot successfully ignores Mosley’s suggestion.

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“Why wouldn’t you call it a novel?”

“Why wouldn’t you call it a novel?”

Well, it’s actually kind of an accident that I established my career as a nonfiction writer. From childhood I wanted to be a novelist.

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David Beer on Walter Benjamin’s Fiction

David Beer on Walter Benjamin’s Fiction

Main Scene from the Ballet “The False Oath”, Paul Klee, 1922 by David Beer The Storyteller: Tales out of Loneliness, by Walter Benjamin. Translated and introduced by Sam Dolbear, Esther Leslie and Sebastian Truskolaski. Illustrated by Paul Klee. London: Verso Books, 240 pp. Walter Benjamin is full of surprises. This...

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Jessica Sequeira on Rion Amilcar Scott

Jessica Sequeira on Rion Amilcar Scott

At the heart of satire is a stereotype, a simplistic dichotomy, an obvious truth or an unquestioned form ready to be taken to its limits and dismantled.

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Somewhere and Everywhere

Somewhere and Everywhere

Lucy Sprague Mitchell, founder of the Bank Street College of Education, was sick of children’s books. She didn’t want didactic moral tales that told kids what to do, or mythological flights of fancy.

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Own the End

Own the End

Ever since Underworld, the 1997 book that marked the end of his ambitious middle period, Don DeLillo’s novels have been creepy, inconclusive, and short.

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Storia

Storia

Ferrante, in case you haven’t heard, has become an international phenomenon. She has acquired a certain notoriety not only because her writing is very intense.

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Black history has too often been stolen by white narrators…

Black history has too often been stolen by white narrators…

Colson Whitehead’s novels are rebellious creatures: Each one of them goes to great lengths to break free of the last one, of its structure and language, of its areas of interest.

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Are you reading this on a screen?

Are you reading this on a screen?

Joshua Cohen (born 1980) is somewhat younger than Shteyngart and company. His 2015 novel, Book of Numbers, was the first of his books to appear in hardcover and to be brought out by a large publisher.

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The bread, the wine…

The bread, the wine…

The lapse in marital fidelity in ‘Online’ is one of the many instances of complicated relationships in the book, in which most are strained or not quite realised.

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Sorokin has long been tarred as a scandalmonger and, even worse, a postmodernist…

Sorokin has long been tarred as a scandalmonger and, even worse, a postmodernist…

I’ve been waiting for years for Vladimir Sorokin’s second novel, Norma (The Norm), to appear in English translation. It wasn’t published in the author’s native Russia until 1994, a decade after Sorokin finished it, so perhaps there’s hope yet.

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