Berfrois

George Reiner on Christian Hawkey

George Reiner on Christian Hawkey

sift developed from a translation of the Moroccan philosopher Abdessalam Benabdelali...

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How Calm!

How Calm!

The first person to be photographed was a man having his boots cleaned. There were others in the same street, but they moved and became invisible...

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The Lyric’s Return in Black British Poetics

The Lyric’s Return in Black British Poetics

This essay considers some reasons for lyric’s return in black British poetics by first taking a broad look at the field, and then by attending to the work of several poets writing since the 1990s but publishing most visibly since the millennium...

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Pine

Pine

Well I grew up in the New Zealand of country pubs and sheep and macrocarpas; and beyond it, we were told, was a planet structured around the British Empire turning into the Commonwealth turning into... something else...

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Marian Janssen on Carolyn Kizer

Marian Janssen on Carolyn Kizer

Carolyn Kizer, feminist poet and founding editor of Poetry Northwest, became the first Program Director for Literature at the National Endowment for the Arts in 1966...

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A Fitting Timepiece by Daniel Tobin

A Fitting Timepiece by Daniel Tobin

Dynamics and architecture: the very attributes required for making an Internet, a universe, an emergent God, a creation, certainly a poem...

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Marian Janssen on John Berryman

Marian Janssen on John Berryman

Letters are always self-involved, but Berryman’s are often insufferably self-obsessed, even if they are meant to be letters of condolence...

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Marian Janssen on Elizabeth Bishop

Marian Janssen on Elizabeth Bishop

Thomas Travisano paints a structured, sensitive portrait of Bishop. He is at his best when explaining her work, which he immaculately interweaves with her life.

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Jessica Sequeira: Two Augurs

Jessica Sequeira: Two Augurs

Archaic, oracular and paradoxical ,  inspired by studies of occult philosophy yet destined for a wider readership unacquainted with these currents , this collection of poems by Olga Acevedo

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Poet Times

Poet Times

The poet is born in squalor, his first love. Some of the poet’s favorite words include seedy, shabby, seamy.

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Amit Majmudar on Anthony Madrid

Amit Majmudar on Anthony Madrid

Not all limericks are not-quite-nonsense, but the most limerickish ones are. As Anthony Madrid, author of a new collection of limericks illustrated by Mark Fletcher, says in a short essay...

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Cry On My Stomach

Cry On My Stomach

The title of Elaine Kahn’s new collection, Romance or The End (Soft Skull Press, 2020), feels like an ultimatum. Traditionally—heteronormatively—the end comes just after the wedding

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Writing Differently

Writing Differently

Danilo Kiš famously observed that the western bracketing of Balkan literature as narrowly ‘political’ rested on a set of mutually reinforcing stereotypes.

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A loss in the vocabulary of attention…

A loss in the vocabulary of attention…

I am 18 years old. It’s the first week of college. I’m sitting in the third row. The classroom is overflowing — students are spilling out of benches, their voices bigger than their bodies — when the professor walks in.

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Ass as Raw Heart

Ass as Raw Heart

Over more than three decades and thirteen books of poems, Carl Phillips has been conducting an inquiry into intimacy, especially sexual intimacy...

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Ed Simon on Sean Bonney

Ed Simon on Sean Bonney

Prophets often die before their time, usually when the rest of us need their voices most. This was the fate of the English radical poet Sean Bonney, who died last November

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Were has the butterfly flown?

Were has the butterfly flown?

As Randall Jarrell once wrote of Walt Whitman, “baby critics who have barely learned to complain of the lack of ambiguity in Peter Rabbit can tell you all that is wrong with Leaves of Grass.”

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Jessica Sequeira: Gloss on a Betel Nut

Jessica Sequeira: Gloss on a Betel Nut

Fodder: cows and horses eat the stuff, dried hay or straw, but what is it exactly? A beige substance to be consumed and excreted, a material to be burnt, pure fuel.

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Medha Singh on Octavio Paz

Medha Singh on Octavio Paz

Octavio Paz grants himself the permission to write long poems, and in doing so he grants it to all the imitators he knows his work will engender.

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