Berfrois

Amy Glynn: Ketamine Redwoods

Amy Glynn: Ketamine Redwoods

A redwood can live forever...

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Alcoholic admissions punctuate Elizabeth Bishop’s narrative…

Alcoholic admissions punctuate Elizabeth Bishop’s narrative…

Bishop’s letters to her psychiatrist are newsy and notational. One begins with a friend surprising her “with a birthday cak and some mimosa” and concludes with a hairstyling appointment before dinner with Randall Jarrell.

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Gertrude Stein on writing and painting and all that

Gertrude Stein on writing and painting and all that

There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking.

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Storia

Storia

Ferrante, in case you haven’t heard, has become an international phenomenon. She has acquired a certain notoriety not only because her writing is very intense.

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45˚38’N 13˚46’E

45˚38’N 13˚46’E

This fascinating work of scholarship concerns the association between two great 20th-century writers and the city that brought them together. The writers were the Italian Italo Svevo (1861–1928) and the Irishman James Joyce (1882–1941). The city was Trieste (45˚38’N 13˚46’E).

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Kissing the Pebbles

Kissing the Pebbles

If Basil Bunting were not remembered for “Briggflatts”—his longest and best poem, first published fifty years ago—he might still be remembered as the protagonist of a preposterously eventful twentieth-century life.

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Jay Merill on Joanna Walsh

Jay Merill on Joanna Walsh

Hotel by Joanna Walsh, is a book in Bloomsbury’s Object Lessons series. It is essentially a memoir in the context of visits made to hotels by a reviewer who is at that time undergoing a personal marital breakdown.

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Your Version Perfect

Your Version Perfect

I never met Vladimir Nabokov face to face, though I exchanged phone calls and letters with him. My psychiatrist encouraged me to visit him in Switzerland, but I was too afraid that I would quickly sabotage close-up whatever good impression I might have managed to create long-distance.

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Black history has too often been stolen by white narrators…

Black history has too often been stolen by white narrators…

Colson Whitehead’s novels are rebellious creatures: Each one of them goes to great lengths to break free of the last one, of its structure and language, of its areas of interest.

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Cynthia Ozick advocates for no theory…

Cynthia Ozick advocates for no theory…

Unlike the literature it marshals as its subject, literary criticism frequently finds itself in the position of having to defend its existence, of taking breaks from dealing with fiction and poetry in order to deal with itself.

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Joseph Conrad on the Titanic

Joseph Conrad on the Titanic

S.S. Titanic at the docks of Southampton, April 1912. by Joseph Conrad It is with a certain bitterness that one must admit to oneself that the late S.S. Titanic had a “good press.” It is perhaps because I have no great practice of daily newspapers (I have never seen so many...

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Ah, the insistent buzz of corporate machinery and techno-capitalist communication…

Ah, the insistent buzz of corporate machinery and techno-capitalist communication…

To pick up on the cultural dissonances around the crisis of man discourse we need to look no further than to the thoughts of two of the key figures engaged with this discourse, Hannah Arendt and Susan Sontag.

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Daniel Bosch: Brogue, Seriously?

Daniel Bosch: Brogue, Seriously?

On April 6, 1327, in Avignon, in the Kingdom of Arles, an Italian scholar named Petrarch saw and fell for a young girl named Laura.

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“Classics was a minority subject, very twee”

“Classics was a minority subject, very twee”

DeWitt had her first sense of real academic or literary possibility after arriving at Smith College in 1975, and even that was a letdown.

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None of Us Can Escape

None of Us Can Escape

Published in The Dial in November of 1923, T.S. Eliot’s essay “‘Ulysses,’ Order, and Myth” is a rare opportunity to see one of modernism’s giants grappling with one of modernism’s greatest works.

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