Berfrois

Eli S. Evans: Is That It

Eli S. Evans: Is That It

Thanks, Berfrois...

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David Beer on Walter Benjamin’s Fiction

David Beer on Walter Benjamin’s Fiction

Main Scene from the Ballet “The False Oath”, Paul Klee, 1922 by David Beer The Storyteller: Tales out of Loneliness, by Walter Benjamin. Translated and introduced by Sam Dolbear, Esther Leslie and Sebastian Truskolaski. Illustrated by Paul Klee. London: Verso Books, 240 pp. Walter Benjamin is full of surprises. This...

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Too Few Butterflies

Too Few Butterflies

There were too few butterflies in Atlanta for Vladimir Nabokov’s tastes. In a letter to his wife Vera (dated October 11, 1942), the astute lepidopterist complained that the city was too far above sea level (1,000 feet) to do much in the way of butterfly catching.

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Scherezade Siobhan on Maged Zaher

Scherezade Siobhan on Maged Zaher

The Anatomy of the Bones, J. Barclay, 1829 by Scherezade Siobhan The Consequences of My Body, by Maged Zaher, Nightboat Books, 160 pp. When I begin to think of a (any) body and its liminal (autocorrect wants to reaffirm it as “luminal”) itineraries in a world that aches to slap a...

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Jessica Sequeira: Warp Fields

Jessica Sequeira: Warp Fields

A star sends its light through space, and this passes through the strong gravitational field of the sun. The field bends the light, so the position of the star changes.

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Farewell, Mr. Hooper

Farewell, Mr. Hooper

I used to joke that between apparel, toys, books and DVDs, my family was, for a time, single-handedly funding Sesame Workshop, the non-profit that produces Sesame Street.

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Justin E. H. Smith remembers Kenneth Von Smith

Justin E. H. Smith remembers Kenneth Von Smith

In the week leading up to Friday, September 2, 2016, I accompanied my father in his transition to death. I came back and he did not. I am not yet old, and was only there to help him across.

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Greg Bem on Samuel Ligon

Greg Bem on Samuel Ligon

The writing brings you in close, allows you to relearn the concept of gasping, guffawing, choking on one’s tongue. It’s almost as real as you could imagine it, happening around the corner, down the street.

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Buzz. Buzz.

Buzz. Buzz.

Balliol College, Monday.—Read aloud my Essay on Equality to the Master. It began: "Treat all men as your equals, especially the rich." The Master commented on this sentence. He said, "Very ribald, Prince Hamlet, very ribald."

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Sara Coleridge was very still, but always in motion…

Sara Coleridge was very still, but always in motion…

Coleridge also left children of his body. One, his daughter, Sara, was a continuation of him, not of his flesh indeed, for she was minute, aetherial, but of his mind, his temperament.

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That final inhale/exhale of life…

That final inhale/exhale of life…

He was gone. I heard the final, awful rattle, the ragged, gasping breath that I couldn’t help thinking was full of his angry, determined desire to beat this impossible thing that had happened to him. He’d taken a fall. He’d hit his head. Now he was dead.

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Navigating public space is never a neutral act…

Navigating public space is never a neutral act…

It’s never a neutral act, to navigate public space, not for anyone. I’d like to hope that Flâneuse troubles the act of walking in the city for those who would consider themselves flâneurs as well.

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Unprintlike

Unprintlike

Jessica Pressman’s Digital Modernism: Making It New in New Media examines the aesthetic, thematic, and political lineage between modernist literature and criticism and electronic literature.

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Nicholas Rombes on Edward Albee

Nicholas Rombes on Edward Albee

For years I was guilty. Why did I “like” a movie that was so hateful, so against the sort of niceties that veneered my own troubled life?

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Remembering Max Ritvo

Remembering Max Ritvo

Two years later, on our first wedding anniversary, we exchanged poems. He died three weeks later. I had written him a poem about trying to make him permanent, and not being able to.

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