Goodbye, Hello

Constant specter of illness and death, increasing likelihood of unemployment, nail in the coffin of the post-World War II order.

Here we go again. Another black person killed by the US police. Another wave of multiracial resistance. Another cycle of race talk on the corporate media.

Thomas Travisano paints a structured, sensitive portrait of Bishop. He is at his best when explaining her work, which he immaculately interweaves with her life.

The very terminology—“black citizen”—was, of course, an oxymoron upon the birth of this very nation...

The Financial Times reported today that the UK has the worst death rate from Covid-19 ‘among countries that produce comparable data’...

This Is Not Dixie: Racist Violence in Kansas, 1861-1927 is a compelling and exhaustive work that examines the long history of anti-black violence and racism in Kansas...

Professors who switch to teaching online are the ‘perfect equivalent of the university teachers who in 1931 swore allegiance to the Fascist regime’. So says Giorgio Agamben...

Conventional accounts of London’s history concentrate on the ‘two cities’—twin centres of wealth and power, each with its monumental buildings...

I came to realize in a series of waves the enormous impact this pandemic would have on the domestic workforce. The first was quite early on, before the travel ban, school closures, and state shutdowns.

In pandemic times I’m picturing Jason Fearn sat amongst his chaotic equipment, formulating a sinister and foreboding soundtrack...

Like many proverbs in English, the term comes from Shakespeare. A “petard” was a small bomb, used for blowing up the fortifications of castles.

Klara Kemp-Welch’s latest book, Networking the Bloc: Experimental Art in Eastern Europe 1965-1981, challenges the idea of unconnected isolated art production

Amid the weight and seriousness of life-changing and life-ending events, how can the national conversation be dominated for three days by the bad behaviour of Dominic Cummings during the lockdown?

In Titian’s early 16th century painting, as Meis reads it, the somnolent Silenus, who echoes the alert god’s posture as he is carried behind him by his followers...

We shared a Creole language and the open, relaxed customs, known as morabeza, that are unique to Cabo Verde; only we knew how to compose and sing morna music...