George Meredith as caricatured by Max Beerbohm in Vanity Fair, September 1896 by Andre Gerard I hope that, like me, you enjoy reading other people’s letters, as this essay depends heavily on personal correspondence. By means of letters I want to make a case that the conception of Mr. Carmichael in To the Lighthouse owes…
It is a truth too often accepted, that a modernist writer with Virginia Woolf’s feminist and elitist tendencies, had no use for Victorians in general and for Charles Dickens in particular.
In To the Lighthouse Woolf deliberately included elements of Anna Karenina, thereby putting into practice some of the ideas contained in her essay. For instance, the stillborn marriage proposal between Varenka and Sergei is a template for the suspended courtship between William Bankes and Lily.
The Turn of the Screw fevered my imagination.
Wrenched from sleep by the rattle of
A dumpster diver’s overloaded cart
Congratulations to Andre Gerard of Vancouver, British Columbia, the winner of the inaugural Berfrois Poetry Prize!
The deeper one looks in To the Lighthouse the more one sees. The more one listens the more one hears. Homer, Shakespeare, Conrad and Forster are just some of the ancestral voices commenting on war.
The light’s gone out in Larkin.
With all his broody carkin,
He’s nothing but a farkin
After Macbeth, Heart of Darkness. After Heart of Darkness, Howards End. Only connect. Just as the Marlow name provides a connection to Heart of Darkness, the Bast name links To the Lighthouse with Howards End. Old Mrs. Bast’s name builds a powerful bridge by way of poor Leonard Bast.
“The Horror! The Horror!” By gentle degrees, by looking at names and intertextual references to Macbeth, Heart of Darkness, Howards End and The Odyssey, I want to make To the Lighthouse new again.
On May 31, two weeks after his death, and the day before Orlando was sent to the printer, Woolf noted his death as follows: “Gosse is dead, & I am half reconciled to him by their saying in the papers that he chose to risk a dangerous operation rather than be an invalid for life. This kind of vitality always gets me”.
Portrait of a Father and his Son, Gabriel Decker, 1850 by Andre Gerard Ever since Edmund Gosse published Father and Son in 1907, father memoirs have caused a kind of Linnean unease. Talking about Gosse’s book in The Development of English Biography (1927), Harold Nicholson said it is not “a conventional biography; still less is…
To write or speak on behalf of Ajens’ recent book, Cúmulo Lúcumo (Das Kapital, 2017), is already to allude to its secret vortex. Cúmulo is a book that we welcome and celebrate yet another feat of language that dwells in a threshold.
Edmund Gosse’s Father and Son: A Study of Two Temperaments was anonymously published in 1907 and faced immediate backlash in England due to its apparent criticism of Victorian morality.
The qualifying poem by each of these finalists will be published at Berfrois in the coming two weeks. Each finalist has submitted four more poems to Berfrois, and the winner of the 2015 Berfrois Poetry Prize will be selected on the basis of the finalists’ five-poem portfolios.
What are the responsibilities of scholars and artists in a time of political crisis and militant nationalism? This dilemma confronts us today, just as it did French writers during the Second World War.
Herman Husband – itinerant preacher, politician, regulator, radical – would amble among the woods surrounding Pittsburgh. Here on the trans-Appalachian frontier, the native North Carolinian with his shoddy patchwork clothes and with his biblically long beard.
by Rachel O’Dwyer and Linda Doyle Introduction In The New Socialism: Global Collectivist Society is Coming Online, editor of Wired magazine Kevin Kelly (2009) argues that the collaborative cultures emerging around web 2.0 platforms cultivate a “digital socialism”, with broad political and economic implications for the producers of online culture. Kelly, alongside others, sees the…
by Gérard Bertrand The Old Castle The old castle often loomed in Kafka’s dreams. Kafka at the Hopper home Although he had been invited, Franz Kafka nonetheless had the disagreeable sensation of not being welcome at the Hopper home. Vassili K.’s workshop A frequent visitor of Vassili K.’s workshop, Franz Kafka, aged twenty-three at the…
Olena Kalytiak Davis, photograph by Gerard Malanga by Nicholas Rombes What I said at the end last time, about how my friend K. never showed up at the bar, wasn’t exactly true. He did show up, disheveled and unshaven, his black hair long and a little greasy and almost curling, his eyes hollow and out-of-the…