Berfrois

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Prousting in the Republic of Letters

Prousting in the Republic of Letters

Marcel Proust represents many things. Chief among these perhaps, especially for non-French readers, is quantity…

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Farah Abdessamad on François-René de Chateaubriand

Farah Abdessamad on François-René de Chateaubriand

I spent a good part of my childhood at home staring outside my bedroom window, following the trail of planes approaching the nearby Paris airport in the sky from my banlieue. I envied the passengers…

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B. Alexandra Szerlip: iSpy

B. Alexandra Szerlip: iSpy

As a test, thirty painted foxes were set loose on a weekend…

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‘Rest Stop’ by Eli S. Evans

‘Rest Stop’ by Eli S. Evans

Returning to the car without a Coca Cola could well have been a death sentence…

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Artificial Taste by Mary Wollstonecraft

Artificial Taste by Mary Wollstonecraft

A taste for rural scenes, in the present state of society, appears to be very often an artificial sentiment, rather inspired by poetry and romances, than a real perception of the beauties of nature…

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Redefining the Boundaries of Blackness and Germanness

Redefining the Boundaries of Blackness and Germanness

Mobilizing Black Germany: Afro-German Women and the Making of a Transnational Movement stands at the intersection of questions regarding Black German activism in the post-1970 era…

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Opened Worlds

Opened Worlds

None of this was window dressing, or walled off by the same invisible barriers preventing true movement in most video games we’d played…

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Vergilius Vaticanus and the Puzzle of Ancient Book Culture

Vergilius Vaticanus and the Puzzle of Ancient Book Culture

Texts of Greek and Roman literature do not usually come down to us in lavishly illustrated editions dating back to what we term classical antiquity…

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New Unis of the 60s

New Unis of the 60s

The most remarkable feature of the mould-breaking expansion of higher education that took place across the world in the 1960s was the foundation of some 200 entirely new universities…

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Vietnamese TV Post-’86

Vietnamese TV Post-’86

The extensive development of popular television is one of the most distinctive cultural achievements of the post-Reform era…

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‘Just So (Mostly) True Stories’ by Eugenia Herbert

‘Just So (Mostly) True Stories’ by Eugenia Herbert

Why did Chekhov’s love affair with his mongoose cool so quickly?

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Elizabeth Bishop’s Proliferal Style by Angus Cleghorn

Elizabeth Bishop’s Proliferal Style by Angus Cleghorn

Bishop’s persona is part she-moose, part bus; part warrior-fish, part oily vessel; part pastoral idyll, and part atomic bomb…

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Groundnut Scheming

Groundnut Scheming

At the sites chosen for the groundnut scheme, tractors and bulldozers from military surplus stores in Egypt proved unable to tackle the hard ground and tough vegetation, so the planners turned to a novel solution: repurposing surplus Sherman M4A2 tanks…

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Italy’s Midsummer Bescheerung by Vernon Lee

Italy’s Midsummer Bescheerung by Vernon Lee

The cool shadow of the fig-trees in the yards, with the whiff of that queer smell, heavy with romance, of wine-saturated oak and crumbling plaster; I know with a little stab of joy that this is Italy…

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The Perpetual Hygiene Regime and the STEMification of the Intellectuals

The Perpetual Hygiene Regime and the STEMification of the Intellectuals

It is the duty of intellectuals and artists to reject enforced glee, to carve out a preserve for the life of the soul as best they can, and to call madness by its name…

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‘A Lifetime of War’ and ‘Agents of War’ by Margaret Viboolsittiseri

‘A Lifetime of War’ and ‘Agents of War’ by Margaret Viboolsittiseri

How do I sum up an entire adult lifetime spent at war?

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All Tied

Men’s neckties provide rich fodder for topic matter. The tie is a remarkable piece of nothing…

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George Orwell on bookshops

George Orwell on bookshops

When I worked in a second-hand bookshop the thing that chiefly struck me was the rarity of really bookish people…

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Inhabiting Weil’s Philosophy by Aishwarya Iyer

Inhabiting Weil’s Philosophy by Aishwarya Iyer

Everything which is impersonal in man is sacred, and nothing else…

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There’s no digital afterlife…

There’s no digital afterlife…

That thing? It’s just a monster living in Microsoft’s basement. And it’s wearing someone’s face…

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