|December 20, 2011|
It is very difficult to properly see the times you are living through, but it is made more difficult today by the insistence of politicians and commentators that there is no alternative to the present economic system. This almost hysterical mantra closes down other, different perspectives and makes it impossible to draw back and see what the present world is really like.
I’ve stumbled on a wonderful documentary film made in the 1960s that in an odd way does help give some kind of perspective on today. It’s about two brothers called Billy and George Walker. Billy was a boxer and George was a gangster who became Billy’s manager. The film is a beautiful record of the way two brilliant chancers were manipulating British society and the media at a moment in 1964.
Out of that moment would come a vast business empire – of property, leisure and films all run by George Walker, that rose up in the 1980s and then crashed spectacularly in 1991. If you follow the story of that empire it takes you on a behind-the-scenes journey that shows the truth behind many modern businesses in Britain – showy facades built on a mountain of debt.
But the story doesn’t just stop there – because the ghost of George Walker, his family, and his business practices have continued to haunt Britain in all sorts of odd ways. And the story suddenly brings into focus some of the attitudes underlying modern society. A world where many people have become chancers like Billy and George Walker, out to get something for nothing.
Inherent Vice’s Two Directions
The jokes certainly strike one as sophomoric and the latter one as clichéd, further below Pynchon’s intelligence than one would like to think he would stoop, at least in print. Discounting them and moving on, or throwing the book across the room as Parker half implies we should do, however, would be to lose sight of “that high magic to low puns”.
Auden, Larkin and Love
I was prompted to revisit these ancient questions anew by a long footnote about a single line in the new Complete Poems edition of Philip Larkin’s poetry. The footnote refers to “An Arundel Tomb” contains a provocative remark about that the poem’s celebrated, controversial, closing line, the one about the true nature of immortality: “What will survive of us is love.”
Plato, Our Comrade?
Not surprisingly, there have already been critics of Badiou’s translation. The first is that his translation breaks the formal rules of translation to such a degree that the original meaning of the text has lost its significance. But this critique is inadequate at face value because Badiou’s hyper-translation is forthright in its intention of taking Plato’s concepts and modifying them into his own lexicon.
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