Sunday, May 19, 2013
  • Monthly Archives: March 2013

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    Relativism apart, I do not doubt that one can point to processes like the six developments described by Van Dijk and Vaessens. However, I am not convinced by their overall interpretation of the situation as testifying to the emergence of a new kind of postmodernism, ‘Late Postmodern Literature’, or by their assurance that ‘it is precisely notions of the postmodern which have shaped both literature and commentary after the “death” or end of postmodernism’.

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    Masha Tupitsyn on Steubenville

    Last week I emailed Laurie Penny’s article “Steubenville: This is rape culture’s Abu Ghraib moment” to my mother. We talked about it. She called it “sexual fascism.” She always has the right words. I asked her how it is possible to raise human beings who are capable of things like this. I use the word “human” loosely here. Human, first and foremost, may not even be the point, as evidenced by the media’s and the public’s response to the rape.

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    Daniel Tutt on Badiou’s Plato

    In what Alain Badiou calls his “hyper-translation” of Plato’s Republic, we are taken into the world of Plato’s classic dialogue on politics and justice, sped up to the pace of a 21st century New York street corner. Socrates and his sophist interlocutors speak a gritty street talk that is both accessible and familiar, despite the fact they invoke intellectual figures from St. Paul to Jacques Lacan to the mathematician Paul Cohen.

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    M’Dada

    Dada is a new tendency in art. One can tell this from the fact that until now nobody knew anything about it, and tomorrow everyone in Zurich will be talking about it. Dada comes from the dictionary. It is terribly simple. In French it means “hobby horse”. In German it means “good-bye”, “Get off my back”, “Be seeing you sometime”. In Romanian: “Yes, indeed, you are right, that’s it. But of course, yes, definitely, right”. And so forth.

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    33.333

    As if the name alone weren’t troubling enough, the fact that No New York is, was and forever shall be a compilation proves equally as troublous. More so than anyone else, it was Brian Eno who committed these four bands to wax. So, yet again, an essay explicitly devoted to what’s essentially his mix tape might be a goof from the get-go.

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    A Monk Surfing

    What is prayer? When I was a kid, I learned the Catholic prayers, and believed Sister Mary Annette, who liked to quote Shakespeare, when she said, “Words without thought never to heaven go.” King Claudius is trying to pray, looks like he is praying, to Hamlet, anyway, and so Hamlet decides to put off killing him, for fear that if the king is killed while praying, he’ll go to heaven, while Hamlet wants full revenge, not to send his uncle to an unjust reward.

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    Jewish and Not Laughing

    I was born in central London two years after the Second World War. My parents were first-generation British Jews, brought up in London’s East End by their immigrant parents who had escaped from the Eastern European pogroms in the early years of the twentieth century. Since my birth in 1947, no one has ever said to me ‘You would all be dead. Your mother, your forefathers, would all be fucking gassed.’

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    Cristóbal Kaltwasser: Chávez

    With the death of Hugo Chávez last week, the battle for the interpretation of his legacy has begun. On the one hand, his followers will spare no effort in depicting him not only as a saviour of the nation, but also as a role model for the left in Latin America and elsewhere. On the other, his detractors will portray him as an authoritarian leader, who was able to win elections thanks to the development of extensive networks of clientelism and the closure of independent media.

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by Sebastian Normandin
So this is the thing. I’ve been breathing a long time but, driven by the objective of writing a book, only recently started deliberately thinking about it. We commonly view breathing as a pedestrian automatism, but I try to imagine how this simple physiological function was once perceived as miraculous. Always that fine but-oh-so-definitive line between breathing and not.
by Alexander McGregor
In the construction of a genuinely socialist state, shaped upon Bolivarian principles, arguably little has been achieved in the last fifty years and the regime, apparently, withstands the inevitable decay of popular support through both repression and an almost mystical, religious prosecution of the ‘eternal possibility’: keep fighting, oh sons of Cuba, one day we shall be finally rid of our enemies and then we may be truly free.
by Dylan J. Montanari
For anyone who has ever heard Fried lecture, it is easy enough to hear his voice as one reads his writing. He is unafraid of the “I,” using it so earnestly that his work seems to take on the mode of confession at times, especially when he is at his most enthusiastic or urgent.
by Jenny Diski
I am awkward around art. Not at all confident about how I should look and what I should feel. I stand both pleased and helpless in front of this painting and look, think about what I’m looking at, and wonder about it, in as much as I can, because I’m not an art historian. Often, standing in front of paintings I wonder what it is I am supposed to be feeling beyond the looking and thinking.
by Masha Tupitsyn
In America, we aim to raise children who can do things — anything — not children who can’t. Ruthless competition and competence is at the heart of the American dream. However, when it comes to contemporary America, and contemporary American masculinity in particular, what exactly does it mean to be capable of “anything” now?
by Daniel Tutt
Alain Badiou’s translation of Plato leaves us with the rare sense that politics can once again be associated with truth, courage and justice. We have an agency at our disposal that comes in the passionate work of bringing the idea of equality (communism) into existence.
by Cristóbal Rovira Kaltwasser
Oddly enough, many analysts forget that when Chávez won the presidential elections in 1998, his populist discourse did include references neither to anti-neoliberalism nor to radical socialism. Instead, the role model that he had in mind was that of Tony Blair’s Third Way. Chávez wanted to rebuild the economy by finding a new balance between the state and the free market.
by Russell Bennetts
1. John Barrowman. 3. Music I listen to for pleasure being used for pain. (I know this happened IRL, but nonetheless.) 6. Maya’s Lana Del Rey impression in the final scene of the movie.
by Joanna Walsh
What are dreams for? Elliptical, intimate, (seemingly) significant; from predicting the future to returning the repressed, these least fathomable experiences have always had an interpretive function laid on them. A similar question lies at the heart of the Oulipo.
by Daniel Bosch
It could very well be that Harvard University Press is smart enough to recognize a Harvard edition of LTYP will have an imprimatur. Whatever its relative virtues, the Harman translation out of Cambridge, as Banville points out, is “likely to become the standard one.”
by Elias Tezapsidis
From its very first issue in 1986, Spy Magazine was a radical project. It was not the product of celebrities and their PR teams, nor did it aim to please those in the public sphere. Voicing the frustrations of intelligent journalists in a sardonic way, it acquired a thinking following that hungered for the esoteric references that abounded in its pages.
by Leo Tolstoy
An elder sister came to visit her younger sister in the country. The elder was married to a tradesman in town, the younger to a peasant in the village. As the sisters sat over their tea talking, the elder began to boast of the advantages of town life: saying how comfortably they lived there, how well they dressed, what fine clothes her children wore, what good things they ate and drank, and how she went to the theatre, promenades, and entertainments.
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