|March 6, 2013|
Sounds 1-6, Patrick Hartigan, 2006. Via
Kurzweil has honors from three US presidents (so says Wikipedia) and was the “principal inventor of the first CCD flatbed scanner” and other useful devices, as well as receiving many other entrepreneurial awards. He is clearly a man of many parts—but is ultimate theoretician of the mind one of them? What is this grand theory? It is set out in chapter 3 of the book, “A Model of the Neocortex: The Pattern Recognition Theory of Mind.” One cannot help noting immediately that the theory echoes Kurzweil’s professional achievements as an inventor of word recognition machines: the “secret of human thought” is pattern recognition, as it is implemented in the hardware of the brain. To create a mind therefore we need to create a machine that recognizes patterns, such as letters and words. Calling this the PRTM (pattern recognition theory of mind), Kurzweil outlines what his theory amounts to by reference to the neural architecture of the neocortex, the wrinkled thin outer layer of the brain.
According to him, there are about 300 million neural pattern recognizers in the neocortex, with a distinctive arrangement of dendrites and axons (the tiny fibers that link one neuron to another). A stimulus is presented, say, the letter “A,” and these little brain machines respond by breaking it down into its geometric constituents, which are then processed: thus “A” is analyzed into a horizontal bar and two angled lines meeting at a point. By recognizing each constituent separately, the neural machine can combine them and finally recognize that the stimulus is an instance of the letter “A.” It can then use this information to combine with other letter recognizers to recognize, say, the word “APPLE.” This procedure is said to be “hierarchical,” meaning that it proceeds by part-whole analysis: from elementary shapes, to letters, to words, to sentences. To recognize the whole pattern you first have to recognize the parts.
The process of recognition, which involves the firing of neurons in response to stimuli from the world, will typically include weightings of various features, as well as a lowering of response thresholds for probable constituents of the pattern. Thus some features will be more important than others to the recognizer, while the probability of recognizing a presented shape as an “E” will be higher if it occurs after “APPL.”
These recognizers will therefore be “intelligent,” able to anticipate and correct for poverty and distortion in the stimulus. This process mirrors our human ability to recognize a face, say, when in shadow or partially occluded or drawn in caricature. Kurzweil contends that such pattern recognizers are uniform across the brain, so that all regions of the neocortex work in basically the same manner. This is why, he thinks, the brain exhibits plasticity: one part can take over the job performed by another part because all parts work according to the same principles.
It is this uniformity of anatomy and function that emboldens him to claim that he has a quite general theory of the mind, since pattern recognition is held to be the essence of mind and all pattern recognition is implemented by the same basic neural mechanisms. And since we can duplicate these mechanisms in a machine, there is nothing to prevent us from creating an artificial mind—we just need to install the right pattern recognizers (which Kurzweil can manufacture for a price). The “secret of thought” is therefore mechanical pattern recognition, with hierarchical structure and suitable weightings for constituent features. All is revealed!
Not long ago, my husband was working on a plaster sculpture, and when he removed his rubber gloves, he saw that his gold ring had disappeared. I came to pick my husband up at his studio and discovered him pale, bleary-eyed, babbling. I found the ring, camouflaged on a patch of beige carpet, and my husband cried with relief.
Teleology Rises from the Grave
Stephen T. Asma
It turns out that there are a few different teleology traditions, but the Anglo-American conversation has been blithely unaware of all but the simplest. The simple and loud version is the “natural theology” tradition, which claims that adaptation in nature must be the result of a supreme Designer because chance alone cannot account for gills in water, lungs on land, complex eyes and cell flagella.
The Death of Romance in the Shadow of the Colossus
These are the two modalities through which you engage the world of Shadow of the Colossus: In the journey, you are the lost soul; in the encounter, you become the lover and the warrior, carried by your passions into mortal struggles with the Colossi. These guardian monsters, your adversaries, fill in the emotional frame established by your travels through the Forbidden Land.