‘Create Dangerously: The Immigrant Artist at Work’ by Edwidge Danticat
On November 12, 1964, in Port-au-Prince, Haiti, a huge crowd gathered to witness an execution. The president of Haiti at that time was the dictator Francois “Papa Doc” Duvalier, who was seven years into what would be a fifteen-year term. On the day of the execution, he decreed that government offices be closed so that hundreds of state employees could be in the crowd. Schools were shut down and principals ordered to bring their students. Hundreds of people from outside the capital were bused in to watch.
The two men to be executed were Marcel Numa and Louis Drouin. Marcel Numa was a tall, dark-skinned twenty-one-year-old. He was from a family of coffee planters in a beautiful southern Haitian town called Jeremie, which is often dubbed the “city of poets.” Numa had studied engineering at the Bronx Merchant Academy in New York and had worked for an American shipping company.