Ryan Boudinot reads from ‘Blueprints of the Afterlife’
Zdzisław Beksiński
Ryan Boudinot reads a passage from his new novel, Blueprints of the Afterlife, set in a a post-apocalyptic America.
Via KQED
Zdzisław Beksiński
Ryan Boudinot reads a passage from his new novel, Blueprints of the Afterlife, set in a a post-apocalyptic America.
Via KQED
A few years ago all I had was a certain ambition and an understanding, more or less, of how things work in this world. I lived in the tiny room of a pension on B----- street. Funds were running low.
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I was eighteen years old when I was introduced to the fascinating world of Alasdair Gray. I read Poor Things (1992) in the second year of my undergraduate degree at the University of Glasgow,
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It’s easiest to start from the impulse to problematize the position of the flâneur. The ugly word privilege hovers around it, and we turn to questions that we know the answer to, “Who, exactly, is allowed to wander, like so?”
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From the backseat, Jude saying, Mama, I HATE Republicans, and the way he says HATE, saying it the way only a seven-year-old can.
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That Diana and the Amazons speak ‘hundreds’ of languages is believable, given their situation and seeming enlightenment; that English becomes their go-to choice for daily chats off the Greek coast, less so.
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On the ancient river, seagull rock crests out of the waters. An outcrop within its sight is thorned by a few young silhouettes, taking turns plunging into the river some feet below. Riverboats and water taxis, white river cruise-ships weave short and cyclical tours between the two shores.
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In the spring of 1793, the entomologist Johann Friedrich Wilhelm Herbst, as a means to supplement his lectures at the newly founded Berliner Tierarzneischule
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