|February 9, 2012|
Colonies of the second French colonial empire (1830–1960) published in Le Monde Illustré in 1891.
From Le Monde Diplomatique:
Why, in 2011, think about empires? We live in a world of nation-states — over 200 of them, each with their seat in the UN, their flag, postage stamps and governmental institutions. Yet the nation-state is an ideal of recent origin and uncertain future and, for many, devastating consequences.
Empire did not give way to a secure world of nations with the end of Ottoman, Austro-Hungarian, Romanov or German rule after the first world war or, in the 1940s-1970s, with decolonisation (by the French, British, Dutch, Belgian and Portuguese). Many recent conflicts — Rwanda, Iraq, Israel, Afghanistan, ex-Yugoslavia, Sri Lanka, the Congo, the Caucasus, Libya, etc — emerged from failures to find viable alternatives to imperial regimes, after 1918, 1945 and 1989.
It is not a question of sinking into imperial nostalgia: sentimental evocations of the British Raj or French Indochina have nothing to offer to our present political thinking. Similarly, imperial name-calling — invoking “empire” or “colonialism” to discredit US, French or other interventions — cannot help us analyse or improve today’s world. But an exploration of the histories of empires, old and new, can expand our understanding of how the world came to be what it is, and the organisation of political power in the past, the present and even the future.
Inherent Vice’s Two Directions
The jokes certainly strike one as sophomoric and the latter one as clichéd, further below Pynchon’s intelligence than one would like to think he would stoop, at least in print. Discounting them and moving on, or throwing the book across the room as Parker half implies we should do, however, would be to lose sight of “that high magic to low puns”.
Auden, Larkin and Love
I was prompted to revisit these ancient questions anew by a long footnote about a single line in the new Complete Poems edition of Philip Larkin’s poetry. The footnote refers to “An Arundel Tomb” contains a provocative remark about that the poem’s celebrated, controversial, closing line, the one about the true nature of immortality: “What will survive of us is love.”
Plato, Our Comrade?
Not surprisingly, there have already been critics of Badiou’s translation. The first is that his translation breaks the formal rules of translation to such a degree that the original meaning of the text has lost its significance. But this critique is inadequate at face value because Badiou’s hyper-translation is forthright in its intention of taking Plato’s concepts and modifying them into his own lexicon.
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The Victorian photographer Julia Margaret Cameron is currently undergoing a revival with a recent exhibition of her work at the Metropolitan Museum in New York. She has long evoked interest not only because of her distinctive style but also because of her eccentric personality, her dominant — very dominant — role in a circle that in many ways prefigured the Bloomsbury of her grandniece, Virginia Woolf. But there was another strand in her life that was quintessentially Victorian: the imperial. She was daughter, wife and mother of Empire.
On the morning of November 14, 1889, John Brisben Walker, the wealthy publisher of the monthly magazine The Cosmopolitan, boarded a New Jersey ferry bound for New York City. Like many other New Yorkers, he was carrying a copy of The World, the most widely read and influential newspaper of its time. A front-page story announced that Nellie Bly, The World’s star investigative reporter, was about to undertake the most sensational adventure of her career: an attempt to go around the world faster than anyone ever had before.