Berfrois

Horses Going Mad by Imprisonment Within the Royal Garden Walls

Horses Going Mad by Imprisonment Within the Royal Garden Walls

Some minutes into the UK premiere of Wim Wenders and Juliano Riberdo Salgado's The Salt of the Earth at the benefit opening of the 2015 Human Rights Watch Film Festival in London, someone whispers in my ear: “So what does this have to do with human rights?”

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Emma Goldman on drama

Emma Goldman on drama

So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations.

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A Hot Mess Strategy by Eli S. Evans

A Hot Mess Strategy by Eli S. Evans

Almost from the start, Miley could hardly have made it clearer that she was not hysterical – that this was not a mental breakdown but instead a rather virtuosic performance of just the sort of mental breakdown made popular by people like her pop predecessor and purported idol, Britney...

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Robyn Ferrell: Evaded Commodification is Passé

Robyn Ferrell: Evaded Commodification is Passé

Some classics re-emerged. Baldessari re-interpreted his 1977 video event of ‘Six Colourful Inside Jobs’ that paid homage to a legendary art origin in Sol Le Witt’s work by paying painters to repaint the room continuously in a changing palette of colours. In the Abramovic room, her 1997 classic performance...

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Daniel Bosch: High

Daniel Bosch: High

Against a black background, part of the face of a fair-skinned woman. The tone and texture of her skin. The curve of her lips. Especially the black of her eyes — as if we could look through her. All these exceed not only what we expect to see when...

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Nicholas Rombes: 70

Nicholas Rombes: 70

As we move deeper into the twenty-first century our world seems evermore bifurcated between the known and the hidden, and this visible divide characterizes our own psychotic state. On the one hand, as the Snowden documents show, we are all of us watched by groups whose names we don't...

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James Glickman: Whedon’s Shakespeare

James Glickman: Whedon’s Shakespeare

Joss Whedon’s recent Much Ado About Nothing embodies the question: can movies made from Shakespeare still find a wide audience? It has been a long trajectory since 1948 when Laurence Olivier's Hamlet got seven nominations and three Academy awards, including Best Picture and Best Actor, to the late ‘90s...

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Restoration Revamped

Restoration Revamped

In the Land of the Head Hunters, Edward S. Curtis, 1914 by Oliver Farry In the Land of the Head Hunters, dir. Edward S. Curtis, 65 minutes One of the best films of 2013 was released in 1914. Edward S. Curtis, well known for his documentary photographs of the...

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Downtown hipsters headed to the video dungeon below…

Downtown hipsters headed to the video dungeon below…

Narcissister is You, Narcissister, 2012. Photograph by Emily Colucci. Via From Lana Turner: A Journal of Poetry and Opinion: Saturday afternoon, I took the train from Astoria to Prince Street. Navigating East, through the brick wall to brick wall Soho throng, I crossed that little cement slab of park...

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Presenting Art by Patricia Emison

Presenting Art by Patricia Emison

I came to John Berger's Ways of Seeing through the back door. About a decade after the four-part series on the BBC (1972) had excited attention as a scrappy response to Kenneth Clark's staid Civilisation (1969), I read the book because the title was so often cited. I confess...

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Oliver Farry on Michel Houellebecq

The peculiar circumstances surrounding the publication of Michel Houellebecq’s latest novel constitute a case study in how even the biggest literary news stories are,...

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McKenzie Wark
Information in Chains

“Information wants to be free, but is everywhere in chains.” The development of the forces of production took a qualitatively different turn when information...

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Bobbi Lurie
Bobbi Lurie: Organic Fortune

isis - ebola - obama hit by halal truck (where is duchamp?)

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Bharat Azad
Bharat Azad Meets Adair Turner

In a quiet office tucked away in Mayfair – over a long table so white I am hesitant to even place my fingers on...

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Andre Gerard: Light Here, Shadow There

The deeper one looks in To the Lighthouse the more one sees. The more one listens the more one hears. Homer, Shakespeare, Conrad and...

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Claudia Landolfi: Europe’s Colonial Perversion

The aftermath of a violent act or after a sharp change of political horizons is also a crisis of imagination and language. The rupture...

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Jerry Moore: Feverish Rivers

I learned that Gerardo Reichel-Dolmatoff had been a Nazi when I was in a Santa Marta supermarket. I had just stepped into the Exito...

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Lauren Berlant
Lauren Berlant flies

Most of the writing we do is actually a performance of stuckness. It is a record of where we got stuck on a question...

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Robyn Ferrell on Balthus

The pitfalls of identification, hero-worship, envy and malice can beset the most patient writer in the throes of five hundred-plus pages of attention to...

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Michael Munro on Spinoza

Immanence is not philosophy, nor philosophy immanence. But there is in the passage from one to the other a modification of sense that is...

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David Beer
David Beer: Broadcastwerk

Writing at sometime around 1930 or 1931, Walter Benjamin suggested that the voice on the radio is a like a visitor in the home,...

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Rose Barnsley: Young, Gifted and Žižekian

At nineteen, it is easy to think that all you're missing is the right movement. But there is something about the young left wing...

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Vincent W.J. van Gerven Oei: Rama’s And

While local journalists were once again busy regurgitating worn-down, coma inducing positions about yet another spectral appearance of Enver Hoxha at the celebration of...

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Playing the Percentages: Berfrois Interviews Danny Dorling

The portrait of the 1% in your book is one of sociopathic, power-hungry narcissists with a striking lack of empathy. This may seem antagonistic,...

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