Berfrois

Stanimir Panayotov on Krassimir Terziev

Stanimir Panayotov on Krassimir Terziev

A Message from Space in my Backyard, 2009, dual channel video installation, view from the exhibition Territories of the In/Human, Württembergischer Kunstverein, Stuttgart, 2010 by Stanimir Panayotov Krassimir Terziev, Between the Past that is About to Happen and the Future that Has Already Been, translated into English by Lyubov Kostova, Sofia: Iztok-Zapad and Gaudenz B. Ruf…

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Nicholas Rombes on Wes Craven

Nicholas Rombes on Wes Craven

Wes Craven’s movies were about movies, even when they weren’t. And in this sense they helped bring cinema back to its self-reflective origins.

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“This was no Well of Loneliness”

“This was no Well of Loneliness”

Around that same time I think I read the whole Ladies Almanack in my studio, across the hall from Daviel. I asked her to let me know if she wanted to make that film. She told me the whole wish: the dream of Cixous, and Myles narrating; everything.

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Chris Moffat on Anand Patwardhan

Chris Moffat on Anand Patwardhan

Patwardhan both captures and manifests this wavering time of modern India: history exists in his films not as a static object for reflection, nostalgia or mourning, but as something which constantly returns, flashing up, animating politics and inflecting horizons of possibility in the present.

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Yudit Kiss on Amar Kanwar

Yudit Kiss on Amar Kanwar

Amar Kanwar wants us to see what most of us prefer not to see: destruction and suffering caused by social injustice and violence fuelled by poisonous racist ideologies, political power battles and corporate greed. It’s not that his images are particularly hard to see.

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Free Art From Oil

Free Art From Oil

Museums and galleries weren’t always the grand institutions we experience today. Formerly private collections, visible only to the ruling classes, were projected into the lower echelons of society in grand acts of philanthropy.

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The absence of crystals seemed to bewilder some of the more serious fans of the series…

The absence of crystals seemed to bewilder some of the more serious fans of the series…

Even back in 1994, the Final Fantasy series was settling into the sort of routine for which it later became well known – and was often scorned for.

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“J.M. Coetzee”

“J.M. Coetzee”

On 21 December, 2012, I had the privilege of introducing J.M. Coetzee to an expectant audience at the University of Cape Town; he was about to read from his new, as yet unpublished work, The Childhood of Jesus.

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What Clouds!

What Clouds!

And what clouds! Xu’s slow, tender pan renders them scarlet-tinged, streaked across the sky in Turneresque smears. These static frames, brushed with merely ambient sound, are composed in radiant ignition.

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Brick Power

Brick Power

This is an essay to be taken with a child’s, or Gilles Deleuze’s, naïveté. To those who fail to find such thinking sufficiently serious, take heed—you may well find yourself neatly aligned with The Lego Movie’s antagonist, Lord Business.

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Discovered Country

Discovered Country

Until very recently, I have avoided writing about Hamlet. With the occasional exception, I have also avoided teaching Shakespeare’s most famous play. I might have casually referred to this avoidance as “The Hamlet Effect.”

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En Liang Khong: Full Bloom

En Liang Khong: Full Bloom

The cross-dressing Qiu Jin was emblematic of a revolutionary feminist current at the end of the Qing era, writing urgently on women’s emancipation: “While the men of China are entering a civilized new world, China’s women still remain in the dark.”

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Horses Going Mad by Imprisonment Within the Royal Garden Walls

Horses Going Mad by Imprisonment Within the Royal Garden Walls

Some minutes into the UK premiere of Wim Wenders and Juliano Riberdo Salgado's The Salt of the Earth at the benefit opening of the 2015 Human Rights Watch Film Festival in London, someone whispers in my ear: “So what does this have to do with human rights?”

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Dada’s Sex

Dada’s Sex

We are getting close to the 100 year anniversary of Cabaret Voltaire in Zurich and I dedicate my post to Tzara while reading the recent biography about him.

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Isa Genzken does not imagine that painting can be reborn…

Isa Genzken does not imagine that painting can be reborn…

In 1998, Isa Genzken produced some two dozen paint-slashed and spray-painted garments – shirts and jackets, mainly, but also a lone dress.

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The Flooring of Silent Bob

The Flooring of Silent Bob

This is how it started: I’d seen the preview a few months back, and was about a year into an only-watching-horror-movies thing that had developed as a strange post-trauma coping mechanism.

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“The majority of games are basically porn”

“The majority of games are basically porn”

“A lot of games today are only interested in making players feel smart, rather than have players actually be smart.

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Waiting, Waiting, Waiting

Waiting, Waiting, Waiting

Samuel Beckett’s classic play Waiting for Godot, written in the author’s own account as some sort of diversion from his serious work on the trilogy of novels, takes place in an unnamed land and at an unnamed time.

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Expected Virtues

Expected Virtues

Nearly every review I’ve read has mentioned the fact that Birdman has been shot and edited in a way so as to seem as if it had been filmed in one single, continuous take.

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