Berfrois

Around 1815

Around 1815

She is either Italian, Jewish, Arab, Turkish, Kurdish or Greek. She has olive skin and is wearing high heels with gold tips, a white jacket, oyster coloured skirt and carrying two iPhones, one in a black case and one red.

Read More

Ezequiel Alemian on Boris Pasternak

Ezequiel Alemian on Boris Pasternak

During a visit to Buenos Aires a few years ago, the saxophonist Ornette Coleman, an old trailblazer of free jazz, went out to explore the area near the hotel where he was staying his first night in the city, and got lost.

Read More

Bleeding Edgers

Bleeding Edgers

by Hanjo Berressem In “…without shame of concern for etymology,” Hanjo Berressem discusses Pynchon’s Bleeding Edge in the context post-9/11 fiction. In contrast to narratives of posttraumatic melancholy, Berressem argues that Bleeding Edge is a “Jeremiad about the fall and the sins of America.” The result is an essay...

Read More

Campbell’s School

Campbell’s School

A little less than a year back, I wrote about Edgar Guest, the longtime poet of the Detroit Free Press who published a poem in that paper seven days a week for thirty years. The national syndication of his verse made Guest a household name, got him dubbed the...

Read More

In the Night by Brenna Hughes Neghaiwi

In the Night by Brenna Hughes Neghaiwi

On a chilly Thursday evening, I headed from my parking spot outside the Kaufleuten Saal, where Joyce once put on plays as co-founder of The English Players theater group, and up Augustinergasse, which winds around a small square before opening up to the building at number 9: the Haus...

Read More

Menachem Feuer: Schlemiels

Menachem Feuer: Schlemiels

As human beings we have to “court” failure. This term suggests two things: on the one hand, it suggests dating and becoming intimate with someone in a formal, old-fashioned way; on the other hand, it suggests that we just don’t experience something, we judge it. Taken together, we can...

Read More

Violets Violets

Violets Violets

Perhaps Rimbaud got the connection between color and language best in his poem “Vowels,” which sets out to illustrate a colored alphabet within a poem. A translation by Paul Schmidt and Peter Bauer goes like this: Black A, white E, red I, green U, blue O — vowels, Some day I will open...

Read More

Henry Giardina: Furrows and Hollows

Henry Giardina: Furrows and Hollows

There’s an oft-quoted line out of Candide that goes, “I have wanted to kill myself a hundred times, but somehow I have never fallen out of love with the world.” Or something to that effect. In that vague period of late spring and early summer, which in Massachusetts we...

Read More

Pound in Soho

Pound in Soho

When Ezra Pound arrived in London in 1909, he began arranging introductions to all the literary people he could manage. The most felicitous was to the novelist Olivia Shakespear; not only did she connect Pound with her lover, W.B. Yeats, but Pound eventually married her daughter, Dorothy.

Read More

Feroz Rather: Half-Residency

Feroz Rather: Half-Residency

In the winter of 2012, I flew from California to Chicago to attend the annual AWP conference. It was snowing lightly when I emerged from the hotel on Michigan Avenue with Brian, an aspiring fiction writer from Los Angeles. The wind blew ceaselessly, whipping the snowflakes into the chafing...

Read More

‘New movements in literature are those which copy the last century but one’

‘New movements in literature are those which copy the last century but one’

New movements in literature are those which copy the last century but one. If they copy the last century, they are old-fashioned; but if it is quite clear that they are much more than a hundred years old, they are entirely fresh and original.

Read More
Oliver Farry on Michel Houellebecq

The peculiar circumstances surrounding the publication of Michel Houellebecq’s latest novel constitute a case study in how even the biggest literary news stories are,...

Read More
McKenzie Wark
Information in Chains

“Information wants to be free, but is everywhere in chains.” The development of the forces of production took a qualitatively different turn when information...

Read More
Bobbi Lurie
Bobbi Lurie: Organic Fortune

isis - ebola - obama hit by halal truck (where is duchamp?)

Read More
Bharat Azad
Bharat Azad Meets Adair Turner

In a quiet office tucked away in Mayfair – over a long table so white I am hesitant to even place my fingers on...

Read More
Andre Gerard: Light Here, Shadow There

The deeper one looks in To the Lighthouse the more one sees. The more one listens the more one hears. Homer, Shakespeare, Conrad and...

Read More
Claudia Landolfi: Europe’s Colonial Perversion

The aftermath of a violent act or after a sharp change of political horizons is also a crisis of imagination and language. The rupture...

Read More
Jerry Moore: Feverish Rivers

I learned that Gerardo Reichel-Dolmatoff had been a Nazi when I was in a Santa Marta supermarket. I had just stepped into the Exito...

Read More
Lauren Berlant
Lauren Berlant flies

Most of the writing we do is actually a performance of stuckness. It is a record of where we got stuck on a question...

Read More
Robyn Ferrell on Balthus

The pitfalls of identification, hero-worship, envy and malice can beset the most patient writer in the throes of five hundred-plus pages of attention to...

Read More
Michael Munro on Spinoza

Immanence is not philosophy, nor philosophy immanence. But there is in the passage from one to the other a modification of sense that is...

Read More
David Beer
David Beer: Broadcastwerk

Writing at sometime around 1930 or 1931, Walter Benjamin suggested that the voice on the radio is a like a visitor in the home,...

Read More
Rose Barnsley: Young, Gifted and Žižekian

At nineteen, it is easy to think that all you're missing is the right movement. But there is something about the young left wing...

Read More
Vincent W.J. van Gerven Oei: Rama’s And

While local journalists were once again busy regurgitating worn-down, coma inducing positions about yet another spectral appearance of Enver Hoxha at the celebration of...

Read More
Playing the Percentages: Berfrois Interviews Danny Dorling

The portrait of the 1% in your book is one of sociopathic, power-hungry narcissists with a striking lack of empathy. This may seem antagonistic,...

Read More