Oscar Mardell on Jeff Goldblum

Diaz was born in 1958, eight years after the official independence of the Philippines from the US was declared, and seven before Marcos ascended to the presidency...

The Misfits carries in itself the nature of an allegorical tale that throws itself deep into the thick of postmodern demands...

After the local video-game arcade and the local comic-book store, the finest establishment on earth was the local video-rental outlet, a paradise of garish rectangular boxes leaning precariously on wooden shelves divided roughly by genre...

That nothing is told about her characters’ histories is a reminder of the fracturing effect of migration, so violently rupturing that it’s often likened to a kind of reincarnation rather than any linear progression through life...

I miss browsing those chunky, foxed VHS cases and, I suppose, their leaner DVD heirs...

It was not just in liberal consumer societies that families recorded vacations and rites of passage. Home cameras and projectors were also available in socialist societies like the German Democratic Republic...

Success, for Mankiewicz, meant Broadway, not half credit on some blockbuster...

Sun of the Soil is a form of artivism that aims to engage not only local communities through street performance...

The Australian High Court doesn’t need an interior at all, only an internal façade, because the power which that court embodies – far from being impregnable – is akin to that of Santa Claus...

The blood would be Bosco’s chocolate syrup and the guts would be ham, donated from a local butcher shop....

“Aging for me is not a condition, but a subject,” said Agnès Varda in her Norton Lectures at Harvard University in February 2018, shortly before her 90th birthday...

In the coastal villages of southern Kent, the breeze off the water is said to cause things to age quickly: iron to rust, brass to discolor, lichen to cover roofs like the scales of a lizard...

Atomic Garden, an experimental film by Ana Vaz, opens with a purely textual prologue: Aoki Sadako, an elderly Japanese woman, visits her flower garden...

The first image in Pedro Costa’s Vitalina Varela is an empty street at night, from which a few headstones marking a cemetery are visible.

More than once, my maternal grandmother went to a Seattle fire station for aid, certain she was having a heart attack.

Thanks to Instagram and all its metastasized relations, nowhere is so far off the beaten path we can’t experience it visually...

Paul Takes the Form of a Mortal Girl is set during the peak of the AIDS crisis, and is full of deep-cut references to 1990s pop culture.

For the past decade, A.S. Hamrah has been the sharp-tongued, rain-lashed drifter of American movie criticism.

What does an anti-colonial building look like? In Naeem Mohaiemen’s 2017 film Two Meetings and a Funeral, Vijay Prashad stands in the centre of La Coupole d’Alger in the suburbs of Algiers...