Berfrois

Oscar Mardell goes inside The Castle

Oscar Mardell goes inside The Castle

The Australian High Court doesn’t need an interior at all, only an internal façade, because the power which that court embodies – far from being impregnable – is akin to that of Santa Claus...

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Rising High

Rising High

The screenwriter and director Bruce Robinson, best known for The Killing Fields and Withnail & I, really went to town on the Freudian view of High-Rise in his little-known 1979 script, which he subtitled An Analogy.

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Stanimir Panayotov on Oleg Mavromatti

Stanimir Panayotov on Oleg Mavromatti

Where No Place for Fools leaves no room for fools, it pries open the space for the fool’s room, his contemporary cell: the camera.

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Teresa K. Miller and Gregory Giles Discuss Luc Moullet

Teresa K. Miller and Gregory Giles Discuss Luc Moullet

To begin at the end: After nearly two hours exploring facets of exploitation in the globalized food system, Luc Moullet closes Genèse d’un repas/Origins of a Meal (1978) by turning the camera on himself.

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Nicholas Rombes on Wes Craven

Nicholas Rombes on Wes Craven

Wes Craven’s movies were about movies, even when they weren’t. And in this sense they helped bring cinema back to its self-reflective origins.

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“This was no Well of Loneliness”

“This was no Well of Loneliness”

Around that same time I think I read the whole Ladies Almanack in my studio, across the hall from Daviel. I asked her to let me know if she wanted to make that film. She told me the whole wish: the dream of Cixous, and Myles narrating; everything.

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What Clouds!

What Clouds!

And what clouds! Xu’s slow, tender pan renders them scarlet-tinged, streaked across the sky in Turneresque smears. These static frames, brushed with merely ambient sound, are composed in radiant ignition.

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Brick Power

Brick Power

This is an essay to be taken with a child’s, or Gilles Deleuze’s, naïveté. To those who fail to find such thinking sufficiently serious, take heed—you may well find yourself neatly aligned with The Lego Movie’s antagonist, Lord Business.

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Horses Going Mad by Imprisonment Within the Royal Garden Walls

Horses Going Mad by Imprisonment Within the Royal Garden Walls

Some minutes into the UK premiere of Wim Wenders and Juliano Riberdo Salgado's The Salt of the Earth at the benefit opening of the 2015 Human Rights Watch Film Festival in London, someone whispers in my ear: “So what does this have to do with human rights?”

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The Flooring of Silent Bob

The Flooring of Silent Bob

This is how it started: I’d seen the preview a few months back, and was about a year into an only-watching-horror-movies thing that had developed as a strange post-trauma coping mechanism.

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Expected Virtues

Expected Virtues

Nearly every review I’ve read has mentioned the fact that Birdman has been shot and edited in a way so as to seem as if it had been filmed in one single, continuous take.

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Sex talk was to be part of sex…

Sex talk was to be part of sex…

The difference between Intimacies and Sex and the City is that the women in the film are not in psychoanalysis.

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Young and Charming and Crazy

Young and Charming and Crazy

Back at the beginning of this year, the celebrity timetable that decrees what is going to be in our gossip columns and fill acres of newsprint and internet pages in any given week, reminded editors around the world that Kate Moss was having her fortieth birthday.

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Philippe Theophanidis on Jean-Luc Godard

Philippe Theophanidis on Jean-Luc Godard

At one point near the end of his unfinished novel Jean Santeuil, Marcel Proust describes a painting by Claude Monet from 1897, titled “Bras de Seine près de Giverny”. It shows, in the painter’s hazy and colorful style, the branch of a river as it peacefully makes its way...

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Couple Love, Pet Care

Couple Love, Pet Care

by Lauren Berlant I experimented with taking a day off. It was likely to be a failure, because it had to be an experiment, as I have no habits of leaving the desk, only habits of clawing a path back to it, which is odd because I never leave...

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Pynchon: The Movie by Albert Rolls

Pynchon: The Movie by Albert Rolls

The pleasure of watching Paul Thomas Anderson’s adaptation of Thomas Pynchon’s Inherent Vice, much like the pleasure of reading Pynchon’s novels, is, however, to be found elsewhere, and those who insist on having tidiness of structure and an ending that unites the various elements of the story into some...

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70-Minute Mark by Nicholas Rombes et al.

70-Minute Mark by Nicholas Rombes et al.

The different tools used to capture the frame and the wild variety in terms of image quality, which is the way films are remembered anyway, not always as pristine HD, but sometimes smudged and tangled up with our variances of mood. In The Pleasure of the Text, Roland Barthes...

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Is The Wolf of Wall Street ironic?

Is The Wolf of Wall Street ironic?

Via From London Review of Books: Asked for his response to those critics who saw in The Wolf of Wall Street an undiluted celebration of the bad life – drugs, sex, money, jewels, a very large yacht and expensive suits – Leonardo DiCaprio said: ‘If they don’t get the...

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