Berfrois

Teresa K. Miller and Gregory Giles Discuss Spectatorship

Teresa K. Miller and Gregory Giles Discuss Spectatorship

Thanks to Instagram and all its metastasized relations, nowhere is so far off the beaten path we can’t experience it visually...

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For Neon

For Neon

by Eleanor Courtemanche The Bling Ring, dir. Sofia Coppola, U.S.A, 90 minutes It’s hard to watch Sofia Coppola’s 2013 The Bling Ring, which came out on DVD about a month ago, without feeling like you’re at the end of a chain (no, I didn’t say human chain) of recycled...

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Two Visual Tropes = Love by Masha Tupitsyn

Two Visual Tropes = Love by Masha Tupitsyn

Do we see (have) these kinds of moments of seeing in real life or do they happen only in camera space? In the fiction of movies. Is the face of the lover loving and seeing the lover restricted to mise-en-scène? Is the lover's face just another visual trope? Two...

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Jesse Miksic: Fear and Pity and Horror

Jesse Miksic: Fear and Pity and Horror

Don’t Look Now, Casey Productions, 1973 by Jesse Miksic Look at me, my native citizens, as I go on my final journey, as I gaze upon the sunlight one last time, which I’ll never see again—for Hades, who brings all people to their final sleep, leads me on, while...

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A young girl’s strange, erotic journey…

A young girl’s strange, erotic journey…

Young and Beautiful (its English title is far more ungainly than the original) treats in a similar way nascent sexuality and literary awakening, which, once again, go hand in hand. 16-year-old Isabelle (Marine Vacth), takes to prostitution soon after losing her virginity through a holiday fling, but the film...

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Joshua Oppenheimer’s Movie

Joshua Oppenheimer’s Movie

by Oliver Farry The Act of Killing, dir. Joshua Oppenheimer, Denmark/Norway/UK, 115 minutes Joshua Oppenheimer’s The Act of Killing has made ripples in the West not so much because it’s a good film (though there is much about it that is very good) but because the impunity it portrays...

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Jenny Diski’s Flame War

Jenny Diski’s Flame War

Mad Men, AMC by Jenny Diski In 1959, by pure accident, Roger O. Thornhill was mistaken for another man. Actually, he was taken for a man who did not and had never existed. Thornhill’s initials spell ROT, which is printed on his monogrammed matchbooks, and when asked what the...

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W for Welles

W for Welles

Poster for F is For Fake, Specialty Films, 1975 From The New Yorker: When Welles came to Hollywood, in 1939, at the age of twenty-four, he was already famous for his radio work—not least for the great “War of the Worlds” hoax—and heralded as the next big thing without...

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Whatever Fitz

Whatever Fitz

Baz Luhrmann adapts Fitzgerald and the result is pretty much as you might expect. There are no surprises here. You have a continual sense that you have seen this film before. That is largely because you have – if, that is, you happened to chance upon any of Luhrmann’s...

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Russell Bennetts: Jarredhead

Russell Bennetts: Jarredhead

Kathryn Bigelow and Mark Boal at the 85th Academy Awards; screengrabs by X by Russell Bennetts 1. John Barrowman. 2. All-too pertinent news clips are shown in the background of two discussion scenes. 3. Music I listen to for pleasure being used for pain. (I know this happened IRL,...

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Flicks

Flicks

A friend of mine in his mid-twenties is a Film Studies graduate, and like a typical old person – both somewhat right and very annoying – I’m always mentioning old movies to him, being surprised he hasn’t seen them, and pointing out earlier connections to films he has seen,...

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Masha Tupitsyn: Time Onscreen

Masha Tupitsyn: Time Onscreen

Andrew McCarthy and Molly Ringwald in Pretty in Pink, Paramount Pictures, 1986 by Masha Tupitsyn Youth, for her, was not a transitional age — for this modern one, youth was the only time befitting a human being. Her youth had no need of ideals, it was in and of...

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Das Ding, the Face

Das Ding, the Face

Harpo Marx by Paul Elliott There is an intriguing but seemingly insignificant aside in Jacques Lacan’s Seminar VII: The Ethics of Psychoanalysis concerning the face of one of American cinema’s iconic figures: It is enough to evoke a face which is familiar to every one of you, that terrible dumb brother...

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Wissenschaft

Wissenschaft

I've appreciated Aleksandr Sokurov since the 1990s, but it was, I think, with his 2003 Father and Son that he first began to seem genuinely puzzling to me. This film, not at all Turgenevian, portrayed two men apparently of the same age, posing in various intimate positions with one...

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Masha Tupitsyn: Somewhere, Over

Masha Tupitsyn: Somewhere, Over

In a deleted take from The Wizard of Oz posted on YouTube, Judy/Dorothy breaks down during her iconic song. She doesn't sing "Somewhere Over The Rainbow," she weeps it. Did they want her to cry like this? Did they push her too hard, for too long, for too many...

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